My favorite game is Madden. That's it. I'm a Madden addict. I go at it.
'Heroes' really changed the game for me in a way that nothing before it had.
I really want to play interesting roles, but you want to work, so it's a balancing game.
Games are another place to find work, not only the voice stuff but in the motion capture stuff. It's exciting work.
That's what you work all season for, to get into the playoff games, and you don't want to blow it.
I look forward to going to work. Everybody is at the top of their game. It was like we just got to play.
I want to work on things that aren't self-evident, to propose things that are radically different and game-changing.
We speak in (rich) monotones. Our poetry is haunted by the music it has left behind. Orpheus shrinks to a poet when he looks back, with the impatience of reason, on a music stronger than death.
They [the critics] deal with Schoenberg’s early works and all their wealth by classifying them, with the music-historical cliché, as late romantic post-Wagnerian. One might just as well dispose of Beethoven as a late-classicist post-Haydnerian.
Orpheus never liked words. He had his music. He would get a funny look on his face and I would say what are you thinking about and he would always be thinking about music.
With pop music, the format dictates the form to a big degree. Just think of the pop single. It has endured as a form even in the download age because bands conform to a strict format, and work, often very productively, within the parameters.
I had wanted to play drums since the age of 9 when I saw a drum set in the window of a music store for the first time. We took lessons at a local music school and began playing together after about 6-9 months of lessons.
It's really hard in this day and age, with radio and MTV being so consolidated, to get new music out there. I think we've become a really legitimate, viable avenue for getting new music out there.
I'd say music runs in my blood. My parents are exceptionally talented singers, so even before I was born, it was a known fact to them that I'd become a singer. Thanks to my genes, I started off at the age of three and since then, music has meant ever...
I started playing guitar when I was 12 and probably from that age knew that I wanted to make music and make my own music. Playing with other bands like the Polyphonic Spree and Sufjan Stevens was more like an apprenticeship for me than anything.
Like most musicians, I'm good at becoming immersed in the music that I am currently working on. We seldom lift up our heads to contemplate even the music we will be doing in the future, let alone what we've done in the past.
To combat the confusion and depression that assault me when I come off the road in the middle of a tour, I seek the most oblivionated music possible. When it's the 'way out there' that I seek, I go right to my stash of amazing music from Japan.
Now we have so many different genres of music, it's amazing to me. Even in the gospel music arena, you've got hip-hop, you got contemporary, urban contemporary, you got traditional, you got neo-soul gospel, you've got all of these different things.
With vocal and choral music, first and foremost, it's the text. Not only do I need to serve the text, but the text - when I'm doing it right - acts as the perfect 'blueprint', and all the architecture is there. The poet has done the heavy lifting, so...
I'm an advocate of music in schools. It's important to me that music is in as many schools as possible across this country and across the world. I think that it's a lost art form because kids aren't as exposed to it as maybe they used to be, or shoul...
Music is your own experience, your own thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you there's a boundary line to music. But, man, there's no boundary line to art.
