If you are well known at something else, you get points for doing stuff which lots of other people do, and much more, and they don't get any points at all. You get over-praised, over-credited.
In the end, it's about the teaching, and what I always loved about coaching was the practices. Not the games, not the tournaments, not the alumni stuff. But teaching the players during practice was what coaching was all about to me.
Well, in Japan, I have got a group of musicians that I have worked with a lot, that concentrate just on the hardcore stuff, say, that Naked City has been working on. We have like a repertoire of sixty songs now.
I use a professional researcher in New York who does all the legwork, all that stuff which would take me days and weeks of calling, waiting for people to call back.
I was making stickers for guys' bands. I was in the front row photographing bands, booking bands, doing all of the kind of backstage stuff, and I didn't even think for a second I could do it, and then I saw Babes in Toyland, and all that changed.
I've mainly been sampling jazz because the tone of the chords are expressive in itself, so it's quite nice to write over. It's got interpretations of a lot of different genres, too, a lot of dubby-ness and experimental stuff.
I think I have a better sense of my weaknesses - being self-important, selfish and having a big ego probably triggers all the other stuff. I can see myself more clearly.
I've come to understand my role. On some level, I provide the context for them to shine. I also know my role is the steward of the songs, and the center point, the artist that the stuff all revolves around. But I really try to honor that.
Flannery O'Connor was a revelation for me. When I read her, I was very young, and I didn't understand what she was doing. I didn't see any of the Catholicism or any of the social stuff.
I'm still reading some scripts and I model as well, so I'm still doing that. But I don't want to do like just anything so we're being really selective about the stuff I'll do.
When you start creating opinion, and you start creating difference of opinion, you're doing something. People are actually sitting down and critiquing. A lot of the stuff people hate, they really don't. They only look at the outer shell. They don't r...
Quit worrying so much about the boards and nails of your life. Focus on the stuff that lasts.” He glanced through the window toward the glowing light of the kitchen where Meg and my mom were laughing about something.
I just go at my own pace and I like control of the TV and I like to decide when I take a shower and wash the dishes and stuff like that. So I don't know who would want to live with me to be honest!
I hate that thing that if you are over 45, and you're going to be on telly or make films, you have to do all this stupid stuff to your face. I would no more let someone stick a needle in my forehead than fly to the moon.
I knew that collaborating on songwriting would be difficult for a lot of people, because I was known very much, for my independence and the fact that I wrote these quirky songs that were not typical structure, not typical sound - you know, really ori...
She got icing all over her face. I think that's why I like her. For the good stuff, she's willing to get icing all over her face. Who wouldn't want a girl like that?
I think a lot of playwrights have a script in their bottom drawer that hopefully no one will ever see about a bunch of young people sharing a flat and getting up to crazy stuff.
I just felt like reflecting on my junior year, when I didn't know what I was doing, I left a lot of stuff out there. Actually, I gained close to 700 yards more and I took myself out of a lot of games.
I think playing somebody who's schizophrenic is such a lesson as an actor. It gets you totally out of your comfort zone, because you can't rely on your technique, your external stuff. You've really gotta look inward, in a way.
With 'The Tudors,' I had a huge amount of material, I mean so many books and so much stuff about what they really said. So, in a way it was kind of trying to strip it out and find the stories inside all this material.
I've always felt a bit of an outsider. It used to worry me that, in terms of TV, I did not look like 'the girlfriend' or 'the daughter'. That pushed me to write my own stuff, as I thought no one else was going to write me a lead in the sitcom.
