Love. It isn't very popular in technical circles to say a lot of mushy stuff about love, but frankly it's a very very important part of what holds our project together.
I live in jeans and T-shirts, and usually just throw stuff on over that. I love Brunello Cucielli, J.Crew for basics, NYDJ and DL1961 for jeans, and Magaschoni for sweaters.
It's always fun messing around with costumes and stuff. You know there is an element of acting that you've got to dress-up; that's part of it.
I listen to both oldies and contemporary stations. I enjoy listening to current stuff because there's an energy to it that's inspiring.
I have grown in my writing and I care about it now and I know how important it is to write stuff.
Risk is the stuff that sucks the predictability right out of the very things that we desperately wish were predictable.
I like doing both TV and live stuff, though it's nice to mix it up.
I'm not really into the political game as far as paying politicians and stuff like that, I'm not into that. You do your job, and I'll do mine.
I don't understand this whole Twitter, Facebook stuff. I don't get it. Make a phone call. Talk to somebody.
The papers, you know, they're always gonna just make stuff up. They think it's in the public interest.
Never read bad stuff if you're an artist; it will impair your own game.
I've worked with a lot of first-time directors who kind of look to me for ideas and opinions and stuff, and I'm a team player.
I have a whole closet in my house that's dedicated just to jackets and coats, stuff that I've collected over the years.
But I've got ideas. I keep my little notebook, I've always got that with me. Hopefully there's more stuff than nonsense in there.
We tend to do period stuff because it helps make it one step removed from boring everyday reality.
I've discovered this new electronic technique that creates new speech out of stuff that's already there.
I imagine there's a market for total depression. I grew up on George Jones and that really dark stuff.
I was such a weird kid. The really hardcore stuff like Venom - I was totally aware of them, and I listened to some of it - but they actually frightened me.
I want to say 90% of stuff out there is just crap that got made. The main point is that it got produced.
I'm just a regular guy. All these ideas that children shouldn't watch me, I'm going to be confusing, all this stuff, it's crazy.
The standard of writing that I'm getting now from 'Big Finish' compares very favourably with some of the stuff I was doing on screen in the '80s.
