Most of the movies I saw growing up were viewed as totally disposable, fine for quick consumption, but they have survived 50 years and are still growing.
I worked so hard for so long - I did a lot of movies. I also worked a lot when my kids were smaller, before they were in school.
You know those movies where the people in the audience are screaming, 'Don't go in that door!' because you know the killer is there? Well, it is the same thing with this debt. We know how this ends.
In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.
The one thing about 'Beautiful Creatures,' 'The Host' and 'The Mortal Instruments,' which are all well-made movies, is that they were all infected with a dreadful sincerity.
The real achievement of Woody Allen was that he was making movies that felt very personal, and for a whole group of people, it spoke to them. Then he became an archetype, like Groucho Marx or Chaplin.
I don't want to just do independent movies and I don't want to just do adventure films. I enjoy both, and I think both are cogent.
A couple of my teammates have the rare Ford F650 Super Truck, and they're kitted out with everything - even flat-screen TVs for movies and video-game systems in the back.
I am partly not conscious of structure with my movies, but this is when I am writing. I leave my mind very free, and then I correct it after.
For a while, I stopped enjoying making movies and I stopped enjoying acting, because I made a few decisions that I wish I hadn't made.
I meet kids now who become novelists, poets, write for the theater and movies, who were simply inspired by what they saw during the Spoleto Festival.
I can cook a little bit. I can cook a few Spanish dishes. But, in movies, it looks like I cook much better than I cook.
It's not like some movies where you're following a bunch of different stories you can cut around. There was nowhere to cut to. It's these guys. We're not cutting back to anybody else.
I was born in 1950 and watched science fiction and horror movies on TV and was always really fascinated by them.
For many years, when I was starring on 'Touched by an Angel,' I produced on a number of television movies for CBS. I have always enjoyed the aspect of bringing something together and multitasking in that way.
What really matters is that 'Black Swan' deploys and exaggerates all the cliches of earlier ballet movies, especially 'The Red Shoes,' another tale of a ballerina driven mad and suicidal.
If a violent act towards a woman takes place, and the inspiration for that act is violence in cinema, the inspiration for that act would have come from somewhere else if movies didn't exist.
I made a conscious effort to focus on television so I could stay in Los Angeles, so I wasn't on a location all over the world doing movies.
Seeing New York in the movies is what made me want to live in Manhattan one day. I eventually got my wish, and the city has never disappointed me.
It seems that the small movies are a little more risky and cutting-edge. You've got your big commerce and you've got your small films that you're more passionate about.
Movies have to handle time very efficiently. They're about stringing scenes together in the present. Novels aren't necessarily about that.
