All the other guys I think had a scream on Lock, Stock. They just had a laugh and a crack, and thought it would never come out; they were just having a good time. On this one, I felt that.
We have about 4 million people who have voted for who they want to see in the Hall of Fame. There are some people they put down that are pretty good players. You have Ray Guy, Jim Plunkett, Lester Hayes and Donnie Shell.
If I play a villain, I try to find his lightness and his good side. And if I play a hero or a good guy, I'll try to find his darkness or his flaws. Because I don't believe in good and evil. I believe in grays.
I was happier going back to my roots: training like men do in my hometown of Pittsburgh. Back home the guys in the gyms don't lift to look good; they're lifting to lift. They do it because they want to squat more and bench more.
You know, I'm not saying, 'Oh, because I play a good guy on TV, I need to suddenly be villainous in a movie.' I look at it more like: does this role has a kind of urgency for me in terms of, 'Can I not say no to it for whatever reason?'
The good and wonderful thing about my whole career is that I've always felt that the audience, if I do it well, will track wherever I go, whether it's President or a lawyer or bad guy or good.
As long as I feel the love of the game and my health is good, I'm going to play. I don't want to be one of these guys who stays too long or regrets leaving early. Football has been great to me.
I cannot approach someone; I lack the confidence when it comes to the guy I desire. I'm very good when it comes to matchmaking and hooking others up. But I can't help my own cause.
Even when I do roles that are really profoundly abusive, like, I would say, in 'Deadwood' - there's a guy who's a breeding ground for ignorance and hurtful behavior - the fact that people are so taken aback by that is a good thing because they're loo...
I love Los Angeles, and it's been very good to me, but if everyone is running around telling the stories, who's living them? You don't play characters that are celebrities - you play guys who know what to do when their septic tank's blocked.
Beware the old man in young guy's clothes. If he's over 35 and comes to pick you up looking as though he's headed for a skateboarding competition while you are dressed to go to a nice restaurant, this is not a good sign.
When I am behind and I am looking ahead and there is that line in front of you, of that guy, of winning and losing, then I really hang it out there and take big risks to make the speed up, and then I'm pretty good at passing.
I am really drawn to damaged characters, and I have a lot of sympathy for them. Making those complicated characters empathetic is something to strive for. It's too easy to create a good guy or a good girl.
I think the most rewarding part of the job, and I think most coaches would say it, is practice. If you have it, a very good practice in which you have 12 guys participate, and they can really get something out of it, lose themselves in practice.
Marvel has put out good product. DC has put out good product. Even Image has put out good product, as far as I'm concerned... although it's few and far between. But it's not getting recognized, no matter who's doing it.
I've worked with people at different stages of their careers and different success levels, and one thing I've noticed about the guys at the top is they're so relaxed and calm - it's about not having anything to prove except doing good work.
I never had a ton of male friends and it's always been something that's really interesting to me, what brings guys together? The bonding. 'Old School' is a good example of that. And even 'Starsky' and even 'Road Trip.'
You're only as good as your body of work, and everybody has issues, whether it's Steven Spielberg or Martin Scorsese. I'm not comparing myself to those guys, but you learn more from the misses than the hits.
We need prisons because there are some hardcore criminals, but I never met a guy who has been in jail that came out with a smile on his face thinking, 'Right, that's it - now I am going to be good!'
There's good action stars. I'm a bad-guy action star. What disappoints me is when you all of a sudden you get a good action star and then he wants to play a comedy with kids, you know? That upsets me, and that's not being true to your fans.
When I was younger, I wanted to be a cop. Then I watched 'The Wild Wild West,' and so I wanted to be in the Secret Service like James West. At some point I realized, 'That guy is not in the Secret Service. He's an actor.' That sounds like a good idea...
