About 100 things that your kid will do that will surprise you and break your heart and it will be a combination of fact based therapy, medically advised kinds of passages accompanied by celebrity anecdotes and just some funny stuff to lighten the loa...
So that's why one of my rules of parody writing is that it's gotta be funny regardless of whether you know the source material. It has to work on its own merit.
The real problem you get with humour is that you only have so many kinds of jokes within you, and you mine that vein a lot. This isn't just common to me; it's anybody who's funny.
Humor, for me, is really a gate of departure. It's a way of enticing a reader into a poem so that less funny things can take place later. It really is not an end in itself, but a means to an end.
I've been invited to appear on Letterman, but they wanted me to talk about a funny videotape of Congress. 'Bring us your outtakes!' That's not our job.
When I read the 'Ugly Betty' pilot, I thought, 'Oh, this part's funny.' I said to my husband, 'I'm going to get it!' But based on what? All my exquisite comedic work in a Nike commercial?
Normally, it's one or the other - a pretty, straight woman or a more charactery woman who isn't supposed to be attractive. But women like Tina Fey are leading the charge on being both. You can be funny and attractive.
With drama, you know if you're having a true moment, but in comedy, if somebody doesn't laugh, then you know you're not being funny. That's a really fun challenge, and that's what draws me to comedy.
I actually feel like, for a lot of my career, I wasn't able to show my comedic range. I did a lot of dramas and dramedies. I was on 'E.R.' That's not generally thought of as a funny show.
When Frank the Pug is singing I Will Survive, the only reason it's funny is that Will is in that shot trying not to get angry. A shot of a dog singing I Will Survive on its own will not get a laugh.
I don't think know if anything's going to translate anywhere. You're making a movie, you hope it's going to be funny, you can't think about how it's going to go over.
My favorite television show has changed throughout the years. I used to think 'Married... With Children' was really funny. But now that I've gotten older, it's 'The Golden Girls,' believe it or not. That shows kills me.
Well, I had said to my friends, it's going to be good, but I bet it's going to be cheesy in a way. And I didn't think that at all. It's so good and was just so funny.
I did. I did see Bigfoot when I was a kid and I still believe it to this day. I saw a big furry man outside my window. It's not funny! It was real.
One time when somebody showed up in a wedding dress, but I never knew if it was a joke, or she was serious. She asked me to marry her. She was serious. It was pretty funny.
With Portlandia, I don't think our intention is always to find something funny. Sometimes the humor comes from taking something really seriously. We're okay with making somebody feel uncomfortable or uneasy.
I was fooling everyone by surrounding myself with funny people. But then I put myself out there - writing my own sketches, going on stage with nobody surrounding me - and for some reason people were still laughing.
It's funny - I was a big fan of 'The Sopranos.' It became kind of a threat to 'The X-Files' in a way because they could play with language, character, and story in ways that we never could because of the limitations of network television.
The funny thing is, the music that I'm writing now is probably some of the most cutting edge we've ever done. The music that I'm thinking about putting on our next album.
A lot of the tabloid stories are written so well, they're very clever and very funny. But you have to focus on what's really important and not read them - don't dive into it and don't get caught up in it.
As a writer, or as a filmmaker, you have to present yourself, and part of what yourself is is what you're interested in, or what you think is funny, or what you think is sad, or what you think is horrible.
