I try not to put pressure on filmmakers to come up with a big scare at the beginning. I think that helps let the audience settle in and get to know the people they're about to spend 90 minutes with. Once the scarier stuff happens, it's scarier becaus...
I personally have no shame in saying I am extremely interested in fashion. I am not as interested in trends. I won't go on Style.com unless I'm looking for stuff to wear to an event, or there's a designer I am interested in.
I wasn't the kid who lined up her toys, although when it came to Barbies and that little traveling wardrobe with the drawers and the little shoes, my stuff was always on hangers and the shoes were always in pairs. Things had their places.
First, I'm trying to edit down about 7 hours of material which I made prior to the Cop days and find some way to get it out. This stuff is pretty out there, mostly sonic collages and tape manipulations.
A lot of the stuff that I say doesn't even make TV because it gets cut out. So if you're at the live events you get to hear what I have to say, but if you're watching on TV, you're only getting about 50% of it.
Sometimes you successful folks can rise up so high reaching for more stuff that you miss knowing God. But you can never stoop low to help somebody and have God miss knowing you
Yeah, I'm a physical kind of guy. I've always liked being physical. It takes a stuntman to really say, 'Look, we don't want you to do this. No, no, I'm serious, you're not going to do this' to get me not to do my stuff.
Hey, I write fiction. I just make this stuff up, unless I get my hands on some good juicy truth. You know the kind I'm talking about ... that stranger-than variety.
You know, we were worried that in the UK, there's no anarchy on kids TV. When we grew up kids TV was very anarchic and it was about stuff that your parents would probably object to, if they got to object. And it's gotten very safe.
Imagine what it would be like if you didn't know that the evening news was funded primarily by 'Big Pharma.' You would actually believe the stuff that they're saying. You might even think those are the stories that matter.
For instance, when I go to the premiere on Tuesday I probably won't watch the film at all - I'll be watching the audience just to see their reaction to different moments, what I'm doing right and what I'm doing wrong, stuff like that.
I don't like alcohol, but I still like to mess around with other stuff occasionally. I think it's important I take mushrooms and acid. They're certainly not addictive, so I can't rule that out.
I'm not opposed to doing a fashion line, but I want to make sure it's the right thing and make sure its something people actually want instead of putting out a bunch of stuff that's already been done.
So Chuck and I looked at that and we hacked on em for a while, and eventually we ripped the stuff out of em and put some of it into what was then called en, which was really ed with some em features.
With my projects, I really like the extreme high-tech stuff, but I also like the other end, the acoustic things. So it seems like those meet on an iPad, where you make shapes but the sounds coming out of it are really acoustic.
I've been reading ghost stories ever since I could read. I'm immensely curious about ghosts and UFOs and all that stuff, but I'm a very hard-headed person.
I like to do little obsessed losers, or people who are in over their head, or people who are trying to figure stuff out, or guys whose girlfriends leave them and they don't quite get it. Guys who just don't quite get it.
In a job where you're on a computer all day, and we cater lunch and we put snacks in the kitchen, well, we all started gaining weight, even though we try to pick healthy stuff, but inevitably you find the cashews.
I basically sat down for a month, with all the Sun stuff I could find and just picked out my favorites. I didn't think that they were indicative of '54 to '57, although I tried to stay within that period.
The jazz chord substitutions in a country song... that was another thing that bent people's ears. I guess that my favorites are the unique ones. It's not how fast you play. It's that unique blending of different stuff I'm most proud of.
Right around 2004 when 'Ray' came out, I made a conscious decision to be more discerning because I thought to myself, 'After something like this, I really have to try to be strong enough to turn stuff down.'
