I never wanted to do reunion shows for the sake of a reunion show. I've done all the 'Brady Bunch' stuff except for the Variety Show, but when a talk show wants us all to get together for their sake, it's not interesting to me.
I love my style of writing. Nope, it's not the most poetic stuff you've ever read but you know, it can evoke emotions and images and smells and sensations, and that is what I set out to do.
I think a lot of people know me for just wearing cut-off denim shorts, an oversized white T-shirt with a pair of high-heels. I usually do wear basic stuff. Jeans and a white T is my go-to look.
Patenting tends to get people's juices flowing when you put the word 'gene' and the word 'patent' in the same sentence. And understandably so. This is stuff we're carrying around - all of us - inside all of our cells. Should somebody be able to lay c...
I have a friend in New York who's a stylist and I went over to her place because she's got a lot of clothes. I basically ended up wearing most of it. So it's all stuff that I brought over.
Would I describe myself as new Labour? I'm Labour, organised Labour. I think labels have a limited use and that's where you really get into boy stuff sometimes, just sticking on labels.
I really like the old stuff that I cut my musical teeth on, and I loved it when the industry was just like that, without really a genre. Today, country radio's more aimed at a demographic than a genre. It just softens everything.
I did some research and tried to pull out some old, classic Van Halen that they had not played in 10 or 15 years. I think that was Sammy's mistake. I he didn't want to do the Dave stuff.
I've worked on all sorts of things, like the sci-fi stuff for Vin Diesel, where the script is numbered and is in unphotocopy-able colours and your name is stamped into every page. And it doesn't really help because it creates a false sense of special...
Late night is no different than making a film, really, except that it's faster, and if you do a crap one, you can do a better one tomorrow. Writing a novel and doing stand-up - that stuff is very similar.
It's easy to make something avant garde. To do something in the traditional way is much more brave in the sense that you're - your technique is so much more exposed because there's not all this flashy stuff to distract the viewer.
I was lucky enough to be a child during the renaissance of Australian children's literature, when people like Ivan Southall, Colin Thiele, Lilith Norman and Wrightson were pumping out hugely inspiring stuff.
We always seem to be a bit surprised that our children are reflecting stuff that we are showing them. I don't know about you, but every movie that I saw when I was a kid, I emulated. I was Haley Mills for an entire summer and had an English accent.
To do a comedy team, it requires so much extracurricular stuff, so much compromise, so much intuitiveness to know what the other guy is doing. That's why it's so hard to do it.
A lot of people, myself included, are excited about blogging and stuff like that, citizen journalism, but I do remind people that no matter how excited we are, there's no substitute for professional writing, no substitute for professional editing, an...
There's a television show, 'Hoarders,' where people have those homes filled with stuff. Emotionally, in our minds, we get so filled with resentments where we've got a story about absolutely everything.
Writing comedy is an exposing thing because you're putting yourself on the line with every joke you write, and although you can't second-guess an audience, if you want to be successful, you have to write stuff people like.
I've got a big closet of scripts, and a big stack of scripts on the side of my desk, because you get a whole bunch. Nothing's going to be perfect, and I realize that; but I am a perfectionist, so you go through a lot of stuff.
The name 'Charmageddon' actually comes from a social technique that I use. Which is, you know, literally obliterating people with charm so that you can get away with saying stuff that no one else could ever get away with, you know?
For the most part, I do a lot of my own stunts. On 'The Final Destination,' they kept pulling my stunt woman in, and I'd shoo her away. I'm a black belt in tae kwon do, so I was adamant about doing stuff myself.
What does it mean for an actor to make a part his own? It means that he takes on what you had intended and starts to put in his own stuff so that it becomes something that could only happen if he played it.
