I started out playing traditional jazz, and I still do: I love standards, I love the music. But it must move on, and it must live and breathe, and continue to grow, and continue to change, and continue to mesh with other music - all that kind of stuf...
In the history of mankind there are recorded two great Inversions. The first, set forth by the Nazarene to the effect that love is a greater power and more real than vengeance. The second proclaimed the earth to be a sphere revolving in its course ar...
Being a pop star is something I don't think I'm very good at. I'm worried it's making me too paranoid, because all of a sudden, life has become this constant assessment. When you put something out there and people get to hear it, then those people re...
I've always had this passion to be creative, and wanted to sing or be in bands and make music, but I didn't have ideas as to what format it'd be, or how I'd do it. I'm not very good with plans. I didn't think it would be me at the front, either. In f...
Lots of people think I'm telling porky pies when I say how nervous I get about singing. I was good at working out how music was put together, and I was good at being at the back, but if you asked me to sing up front, then I looked like I was going to...
Working is actually a pleasure. It's just very time-consuming. It's a way of life. I find that I can work when I travel and work when I run. There is nothing like, on a rainy day, to work.
If we had this back, and in full measure; if society were infused by it, through and through, and men lived its life, and in its life, philosophy would take care of itself and the nature of our institutions would not matter.
There isn't any one material that's mine. It all depends on the context. For example, I did a house that had the most exquisite marble applications. That sounds ostentatious, but it wasn't, given the context. The color white I subscribe to extensivel...
For what I can imagine and feel and think and hear, I can hardly do anything on the acoustic bass. It used to be just pure frustration of imagining so much more and being able to get to a certain level of execution.
There's a lot of talk coming from Citigroup about how Dodd-Frank isn't perfect. Let me say this to anyone who is listening at Citi: I agree with you. Dodd-Frank isn't perfect. It should have broken you into pieces.
And then as we played more and more as a trio, it became more and more of a situation where we realized we really knew how to use the fourth member of the group - that space. The thing about the trio is that it's the biggest sound you can have with t...
You can say, like, planet Earth has an existing geology, and what we do as human beings and as architects is that we try to sort of alter and modify and expand the geology.
I tried not to listen very much to the critics. I know that whenever you do something, you must have a lot of critics, or it means that you haven't done anything. I never really bothered much and I don't care.
I don't think so, in so far as I always aspired to play the way I do now but just couldn't get the sounds out always due to technical limitations - now I can pretty much play what I hear in realtime.
Please, don't use a cornice as a doorstop. At least put it somewhere where people will have to look up at it. Architectural details really ought to be displayed in the same relation to the viewer as they were originally intended.
I think it is fair to say that during World War II there was a high sense of purpose. The country had a very clear vision of its own standing, of its own morality. It was not an ambiguous time. Today, we live in a world that is highly ambiguous, very...
Frank Abagnale Sr.: Do you know what would happen if the IRS found out I was driving around in a new coupe? I took the train here, Frank. I'm taking the train home.
Charley Butts: I turned 35 today. Some birthday! When's your birthday? Frank Morris: I don't know. Charley Butts: Geez, what kind of childhood did you have? Frank Morris: Short.
Prison Guard: Is something burning? Frank Morris: What? I don't smell nothing. Prison Guard: It must be my imagination. Working nights really gets to you. Frank Morris: You should try it from my side.
Frank Morris: No forks. Hey, no forks? Litmus: You see any? You want your pasta? Hey fresh fish, do you want your pasta? Frank Morris: You see any?
Frank Whitaker: How about this girl getting her husband another drink? Cathy Whitaker: Don't you think you've had enough, dear? Frank Whitaker: No, honey, I don't think I've had enough!
