And when you play this song, hold your head high, motherfucker, don't ever look down, be comfortable with who you are, our flaws are what makes us perfect
Next to the Word of God, music deserves the highest praise. The gift of language combined with the gift of song was given to man that he should proclaim the Word of God through Music.
I realized that I started writing songs to make people feel how I felt, rather than just making them feel something. That's not the way I should do things.
Sometimes we drop in and do an acoustic set somewhere, and that's really fun to take all these insanely loud songs, and to do them quiet. It's really a sight to see... or to hear!
I will always know the glory of the beautiful and rare, as they will know security from labour and prayer. As they will hear the laughter of the children they gave life, I will know the torments of the song born under knife.
Let these men sing out their songs, they've been walking all day long, all their fortune's spent and gone... silver dollar in the subway station; quarters for the papers for the jobs.
I don't know - it's a bit of a mystery of how things come about when they do. I don't have a scientific explanation for it. Sometimes when you're writing a song, you don't know where you're going.
I was the lead singer in a lot of the bands I was in. You have to be comfortable. You gotta get up there and sell the song. You have to get up there and sell the lyric. You gotta be able to feel it.
The problem as you get older is, from my perspective, after a certain amount of songs, you tend to start writing something and then you stop and say, 'Wait, I think I've written that before.'
Bob Dylan and John Lennon and Bruce Springsteen, these are soul guys. Bruce Springsteen might not sing like Otis Redding, but he sings with white soul. He's singing and he's writing songs from the bottom of his gut.
I definitely consider 'Poses' - the whole album in fact - to be kind of a miracle. Like the last breath of that moment when decadence is healthy, 'Poses' encapsulates that feeling. It's a kind of song and a kind of album that I'll never be able to re...
I understand why some kid in his bedroom in Wisconsin thinks downloading songs couldn't hurt anyone. True fans will buy the CD or go see the movie after downloading, but to say it doesn't affect anyone - come on.
I've written more songs for this record than I ever have in the past so I'm trying to give it a lot of special attention to be sure my ideas really get translated right.
I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.
When I'm creating characters, I definitely think of theme songs. Writing for me is very visual, so I sometimes think of it in terms of a movie with a soundtrack, and try to transfer that to words.
In earlier times, so many people sang much more. You know as a kid you'd go to some kind of religious training and or summer camp or whatever it was and you'd learn to sing a lot of songs.
I try not to be overly literal. When I'm writing songs, I write down a lot of words, and then I try to simplify it. I like to give people hints or words that make visual pictures for them.
What you're really after when you see a film or listen to a song is a singular vision, and I'm not sure how much of that you really get in Hollywood.
With writing a song, I've always felt, right from the start, like I'm scraping the bottom of the barrel. I don't ever feel there's a font of ideas to fall back on.
Songs are about whatever you want them to be about. For me it might mean something completely different than what it means to you. So I'd say it's about whatever the listener thinks it's about.
I tried several times to get the song right. The tune and the chords that I started with, there really wasn't anywhere else it could go. I stopped fighting it and let it take me away.
