If all the elements are in place, you should get 80 percent of what a song has to offer no matter how you hear it, whether on headphones or on the radio.
We need to walk to know sacred places, those around us and those within. We need to walk to remember the songs.
I've always thought people would find a lot more pleasure in their routines if they burst into song at significant moments.
People try to keep their past, like kind of holding on to their past. Every Springsteen song talks about that.
We often concentrate on the negative side of the humanity, but humanity is growing, maturing every day, and to sign the song of a better future.
Every flower can sing, every tree can understand, every leaf can hear the silent song of your heart.
Christians and Jews alike are the new exiles of the contemporary world, struggling with how to sing the Lord's song in a strange land.
Engineering and mixing are absolutely key. Once a song is done, for me personally, it's usually two or three days to get the mix down.
I saw I could rhyme words. It came simply to me. But I wrote some pretty horrible songs that I still have on tape.
There were times in my career when I would try to write songs like Bob Dylan... Artists get hooked up in that. To be a follower, you lose.
Why not fall in love with an artist? Otherwise there are no letters, pictures, paintings and songs for you when you wake up.
...I long to be known as an extravagant worshiper...that God would discover the song in my heart to be elaborate, overgenerous, and wasteful in my pursuit of Him.
I think some people found the production took away from the actual songs, which I can understand.
But when it came to jamming and writing songs like we used to, we realized Brandon was a huge spirit in the band. Who knew? It was just something we had to learn.
I may sing the same songs for over 40 years now but I always sing them in different ways in order to keep the excitement and passion alive.
I've always felt writing a song was a bit like going on location. That's true in an almost literal sense. Where you are seeps in somehow.
Every song is like a kid. How can you have that many kids and have a favorite? Which one do I like to hang most with?
Most of the songs I sing have that blues feeling in it. They have that sorry feeling. And I don't know what I'm sorry about. I don't.
The reason I stop playing songs is usually because I get sick of them, and then they find themselves back into the set list at some point.
The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you're listening to the song because they're so seamless and clever.
So it's not so much that I set out to do something different, it's just that the songs themselves require their own individual voice and attention.
