How can a coach have any influence over a player that's making over five times more than he is?
There is always a sacred hour in the theatre - after rehearsals and before performances, in the afternoon, between three and five o'clock. Normally the theatre is empty then, and this is a wonderful hour.
No one cares about the Davis Cup. How many people know I won five Davis Cups and seven majors, but that I rarely played the Australian Open?
In the last five or six thousand years, empires one after another have arisen, waxed powerful by wars of conquest, and fallen by internal revolution or attack from without.
I guess I write four or five hours a day, but I do it seven days a week. It's very disciplined, yes, but it's joy for me.
Yes, I was a parish priest for five years. I was a curate in a large working class parish in Bristol and the Vicar of a village in Kent.
It's been in the back of my head for five or six years, but more on the local level to get involved and try to create a better environment for my children and grandchildren.
Fame is a fickle thing that only lasts as long as you can be out there offering yourself to the public. And as soon as you relax for five minutes, they're gone, you know, and they're following somebody else.
To make it more familiar to me, I ended up treating my swordplay scenes like choreography. So it was, 'One and two and three and four and five, and turn and step and down and up and lunge.'
The next night I got on an airplane, and flew to New York and looked into acting schools. Four or five acting schools. One of which was the Neighborhood Playhouse, which I started at six months there after.
There were eleven publishers in New York City, and when it was all over, I think it went down to four or five, and then finally just the three of them, the Big Three.
I think my biggest break though came probably on Patriot Games because it was the biggest, longest second unit up to that point. It was like five months of shooting and a huge crew.
I moved to New Zealand from Winnipeg when I was almost five. I hated it. It was to a city in the south of New Zealand called Invercargill and there was constant rain. There was a depressing sensation in the air.
At the Grammys, you walk down the halls and everyone's got five security guards. You can't talk to anybody. You always feel out of place, like, 'Hey, the rednecks are in town!'
We started filming in 1993 which was only four years after the fall of communism. The difference in Budapest over the last five years has been remarkable.
I was modeling since I was four and acting in commercials since I was five - this was when I was in New York. I then moved to LA when I was 16... but before that I had done a play on Broadway.
Readers have actually changed the way I've done things, changed the course of my career even, about four or five times. Just from reader feedback.
I act most like myself... when I'm in my hometown, Santo Domingo. I try to get there about five times a year.
I was born in Orange, California and I grew up in Huntington Beach. I started skateboarding when I was five and continued to do so off and on over the years.
Red-hot songs were born on the black streets of Baltimore, where I delivered five-gallon cans of kerosene and ten-pound bags of coal.
Pixar's short films convinced Disney that if the company could produce memorable characters within five minutes, then the confidence was there in creating a feature film with those abilities in story and character development.
