...the player who looks least engaged may be the most committed member of the group. A cynic, after all, is a passionate person who does not want to be disappointed again.
Creating characters is like throwing together ingredients for a recipe. I take characteristics I like and dislike in real people I know, or know of, and use them to embellish and define characters.
I get a lot of inspiration from research in mythology and folklore. I find that, you know, stories people told each other thousands of years ago are still relevant now.
I'm comfortable singing jazz. The only thing I was concerned about is that everybody, even in jazz, has their own style. To me, the queen of doodling was Ella Fitzgerald, and scatting is something I never thought I could do.
Concert-going has become much less the thing to do, while people are still going to opera. This might be a harsh judgment, but it could easily happen that orchestras could slowly atrophy.
I think talking is as casual as blogging, and sometimes writing can be as casual as talking. My informal writing style is a political choice, because I want feminism to be more accessible.
Also the clothing, people often ask why I talk about what characters are wearing. And that's really important to me, because you have to have a picture of how people moved in their clothes.
We all face difficulties of our own, and how comforting it is to immerse yourself in a book - my book, any book, any romance. It's entertainment, it's escape, and it can even be an inspiration!
No one knows 'men' as such, any more than anyone knows 'women,' and if they do generalise they're probably trying to hide their own ignorance. You might know one 'man,' yes, or even lots of individual 'men'.
Perhaps some of the appeal of the dangerous-but-yummy paranormal anti-hero lies in his scorn for societal expectations. Yes, women have come a long way, but there are still some cultural stigmas more associated with women than men.
What happens on 'Mad Men' in terms of the acting and the writing and the directing, it's superior. And yes, it has tremendous cache and buzz because it's become iconic, but it also deserves all the kudos and the awards as well, because it's a beautif...
Look: the day I've made a movie that I think is really good, I hope I say it out loud so somebody can say, 'Then you probably made the worst movie of your entire career.'
I look at the careers of people I'm standing on the shoulders of. People like Lena Horne, Ella Fitzgerald, Sammy Davis Jr., and Sarah Vaughan. These are icons I wanted to emulate, and I feel like they've been holding me up for quite a long time.
Sometimes I feel weird about time. Sometimes I feel that it doesn't go in the order we perceive it. There are... repetitions that maybe we decide not to notice because it is simpler. I like to pick up on those moments.
I tend to prioritize emotional realism above the known laws of time and space, and when you do that, it's inevitable that strange things happen. Which can be quite enjoyable, I think.
When my sister was diagnosed with cancer in 1989, her doctor told her that the cancer had probably been in her system for 10 years. By the time cancer's diagnosed, it's usually been around for quite a while.
Maggie Fitzgerald: I saw your last fight, Shawrelle. Spent so much time face down I thought the canvas had titties.
'Lost' is driving toward an ending, and that ending is: Are these people getting off this island? What is the nature of this island? What is going to happen to them? What is their ultimate fate? What is their ultimate destiny? Those questions need to...
I think the international appeal of SF is quite understandable since the kinds of people who like to read it, are, by the nature of the beast, interested in other cultures, of which other nations on Earth are the closest available example.
To have the kind of year you want to have, something has to happen that you can't explain why it happened. Something has to happen that you can't coach.
'The Piano Lesson' is very sophisticated, easily the most adult or complex material I've attempted. It's the first film I've written that has a proper story, and it was a big struggle for me to write. It meant I had to admit the power of narrative.