Of course I have the license to make up things, but I think a lot of what's written about China is misleading, and most Americans don't know much about China, in-depth, even though China is such a crucial business partner, rival, whatever.
What I have found is that, in a family business structure, sometimes what is needed is a sense of discipline rather than creativity. You have to take everyone's ideas and make it work. When you are dealing with money, there is a limitation on how cre...
Writers to some extent are childish, and it's at the childish level that one really engages with any experience. What really moves you is at the very personal, childish level of the imagination. My business is the imagination, and my imagination is e...
When you watch the sitcoms that were the big hits when I was growing up, TV was still just TV. It was allowed to just be TV. There were three channels that were competing for the whole family and you couldn't take your business elsewhere.
In my generation, if a man washes the dishes, the older women still tend to cluster around and coo and thank him and praise him. But if a woman washes the dishes, it's business as usual, even if both man and woman have tough office jobs.
When I started in the business, there was a thing called adult fantasy, but nobody quite knew what it was, and most publishers didn't have an adult fantasy list. They had science fiction lists, which they stuck a little bit of fantasy into.
I grew up in the Bay Area until 1976, then I pretty much went all the way through primary and high school on Bainbridge, though like anybody who grows up on an island, I ran the first chance I got.
I've always relied a lot on landscape in my books, the atmosphere of a particular place, as well as a fair amount of external action. While writing 'Chance,' it occurred to me that this is the most internal book I've ever written. So much of the acti...
If we choose to walk into a forest where a tiger lives, we are taking a chance. If we swim in a river where crocodiles live, we are taking a chance. If we visit the desert or climb a mountain or enter a swamp where snakes have managed to survive, we ...
I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differentl...
My parents used to throw great New Year's Eve parties. They invited such an eclectic mix of showbiz people. All those cool people were always hanging out at our apartment.
For there to be communication within a couple, it is enough for there to be only one person who communicates or who really wants to communicate. Even though a couple consists of two people, if one of the people in a couple puts all their effort into ...
I have struggled for decades now with the fear of and resistance to change - mostly in the realms of technology, transportation, and the ways people choose to communicate. If I had a theme song, it would be that lovely song 'I'm Old-Fashioned,' as su...
I remember coming to New York in 1974 to do a play here called 'Equis.' And I remember the first morning getting up and walking around the streets, and I thought, 'I'm home.' I felt really at peace here.
Iranian filmmakers are not passive. They fight whenever they can, as creative expression means a lot to them. The restrictions and censorship in Iran are a bit like the British weather: one day it's sunny, the next day it's raining. You just have to ...
You know, I can't remember the last movie I walked out of. If I pay, I'll see it through. I can't be halfway through a movie and think that I know everything that's going to happen, because I hope that I'm wrong.
I have been in love with Emily Dickinson's poetry since I was 13, and, like an anonymous post on findagrave.com says, 'Dear Emily - I hope I have understood.' Emily's poems are sometimes difficult, often abstract, on occasion flippant, but her mind i...
Sometimes I just wonder if I'm being led by variety. If one film leads me down one path, sometimes I just want to turn around and head the opposite way for the next project. I hope that's not the case, but sometimes I suspect that.
If at the end of the day, people look at it and say, oh, yeah, I liked his stuff, or for the most part I liked his stuff, or I've enjoyed watching some of the things he's done, that's all I can hope for.
When you're young, you want to make every kind of film: musicals, Westerns, horror. Slowly you begin to hear your own voice. I hope people receive what I do as small, personal films that are somewhat contrarian about their main characters.
I hope we're all kind of influencing each other now to keep the quality up on those things. They seem to be getting better and better and better as there's not only sort of a film geek audience, there's also a general interest in the overall film con...
