Normally, when you challenge the conventional wisdom—that the current economic and political system is the only possible one—the first reaction you are likely to get is a demand for a detailed architectural blueprint of how an alternative system ...
There is an old question, rarely voiced these days, but nevertheless running as an undercurrent beneath the squabbles and misunderstandings that occur in households, workplaces and universities on a daily basis. ‘What do women want?’ has been ask...
Going through the customs dampened them further. Customs inspectors must have a mental twist that makes them suspicious of innocence. Dewy-eyed honeymooners, red-cheeked provincials, and helpless little old ladies lash them into frenzied investigatio...
J. Russell Finch: I don't know, I must find my wife. I don't know what to do. J. Algernon Hawthorne: Look, wherever they are, surely the most sensible thing for the two of us to do is to press on. I mean for all we know, your brother-in-law may be ou...
Colonel Hathi: [Seeing Mowgli for the first time] Well, a new recruit, eh? Ha ha... uh say, what happened to your trunk? [Begins prodding Mowgli's nose with his twig] Mowgli: [Much annoyed] Hey, stop that! Colonel Hathi: [Surprised beyond belief] A m...
[first lines] Narrator: With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas. Lisbon became the great embarkation point. But, not everybody could get to Lisbon di...
Minister: Commissioner Berthier, any suggestions? Berthier: We're in trouble on this one. Our agents inside the OAS can't pin him down, since not even the OAS knows who he is. Action Service can't destroy him; they don't know who to destroy. The gend...
Batman: Then why do you want to kill me? The Joker: [giggling] I don't, I don't want to kill you! What would I do without you? Go back to ripping off mob dealers? No, no, NO! No. You... you... complete me. Batman: You're garbage who kills for money. ...
Keys: Elliot, that machine, what does it do? Elliot: [in a sickly voice] The communicator? Is it still working? Keys: It's doing *something*. What? Elliot: I really shouldn't tell. He came to me, he came to me. Keys: Elliot, he came to me too. I've b...
[watching Tor Johnsson at his wrestling match] Bunny Breckinridge: Guess where I'm going next week. Edward D. Wood, Jr.: I don't know. Where? Bunny Breckinridge: Mexico. Guess what I'm doing when I get there. Edward D. Wood, Jr.: I don't know. Lie on...
Arthur: Rise, Father, please. I was your son before I became your king; if I am King. Sir Ector: You are king, Arthur; the more so because you are not my son, and I am not your father. Arthur: Not my father? Then Kay is not my brother? Sir Ector: Mer...
Crush: Dude? Dude? Focus dude... Dude? [Marlin wakes up] Crush: Oh, he lives. Hey, dude! Marlin: Oh... What happened? Crush: Saw the whole thing, dude. First you were all like "whoa", and we were like "whoa", and you were like "whoa..." Marlin: What ...
Marlin: [Surrounded by jellyfish] This is bad, Dory. Very bad. Dory: [Bouncing on top of a jellyfish] Hey, watch this. Boing! Boing!... Marlin: Dory! Dory: You can't catch me! Marlin: Dory, don't bounce on the tops! They will... not sting you. The to...
[longer introduction to "Night On Bald Mountain" and "Ave Maria"] Narrator: The last number in our Fantasia program is a combination of two pieces of music so utterly different in construction and mood that they set each other off perfectly. The firs...
[first lines] Raoul Duke: [narrating] We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold. I remember saying something like: Raoul Duke: I feel a bit lightheaded. Maybe you should drive. Raoul Duke: [narrati...
[first lines] Patrick Kenzie: I always believed it was the things you don't choose that makes you who you are. Your city, your neighborhood, your family. People here take pride in these things, like it was something they'd accomplished. The bodies ar...
[first lines] Author: It is an extremely common mistake. People think the writer's imagination is always at work, that he's constantly inventing an endless supply of incidents and episodes; that he simply dreams up his stories out of thin air. In poi...
Dr. Peter Venkman: Let me tell you something about myself. I come home from work to my place and all I have is my work. There's nothing else in my life! Dana Barrett: Dr. Venkman... Dr. Peter Venkman: I meet you, and I say, my God, there's someone wi...
[first lines] Title Card: Robert Gould Shaw, the son of wealthy Boston abolitionists, was 23 years old when he enlisted to fight in the War Between the States. He wrote home regularly, telling his parents of life in the gathering Army of the Potomac....
[first lines] Sig Mickelson: In 1935, Ed Murrow began his career with CBS. When World War II broke out, it was his voice that brought the Battle of Britain home to us, through his "This Is London" radio series. He started with us all, many of us here...
Mikey: [to One-Eyed Willie] Hi Willie. Oh, I'm Mike Walsh. You've been expecting me, haven't you? Well I made it. I beat you. I got here in one piece... so far. [lifts up Willie's patch] Mikey: So... that's why they call you One-Eyed Willie... One-Ey...
