Pender laughed. "Verify? In this day and age? Who cares about verifying anything? It's all about the speed. Who gets there first defines the truth. You know that as well as any man living.
In the second installment, I pretty much dominate the show. Somehow or another, though, I manage to apparently dominate the first show pretty well with just my voice and my hands and a shot of my boots kicking cartridges out of the way.
I bought my first horse when I was 15. I always loved racing and I started studying about breeding and I've been doing it now for 30 years, so I have some credibility.
For me, the first fact of human existence is the human body. But if you embrace the reality of the human body, you embrace mortality, and that is a very difficult thing for anything to do because the self-conscious mind cannot imagine non-existence. ...
The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you're going to want the melody to catch four things in the action.
When I was on the bestseller list with the first book, everyone who knows me knows that every week it continued to be on the list was a very dark week for me. Everyone knows that all I wanted was to be off that list.
With improved coping skills forged through my midlife crisis, I now listen first and do not control, and I allow these now adult children to come to their own conclusions about what they want for their lives.
No police department should hire more quickly than they can assimilate the people that they bring in, and we did. I take responsibility for it. It was the first opportunity I had to hire, and I wanted to do it, and I take responsibility.
When television began, it modeled itself after radio. Many early television programs were radio programs first. 'My Favorite Wife,' 'The Jack Benny Show,' 'Burns and Allen,' 'Alfred Hitchcock Presents.'
I write because something inner and unconscious forces me to. That is the first compulsion. The second is one of ethical and moral duty. I feel responsible to tell stories that inspire readers to consider more deeply who they are.
I was always an introvert as a kid. Then, when I first kind of came out as a human being, I used to be one of those guys who'd go nuts on the dance floor, and people would gather around.
I had always planned to make a large painting of the early spring, when the first leaves are at the bottom of the trees, and they seem to float in space in a wonderful way. But the arrival of spring can't be done in one picture.
When I was 17, I studied at RADA in London for the summer. I wanted to live abroad and to pursue drama, so it seemed like the perfect opportunity. I thought I may as well throw myself in at the deep end. My first big role is in 'Starlet.'
I write for ghosts; the ghosts I can’t see but I know stick around. Some I know are good. Others I know are bad. The first bring me nostalgic comfort while the latter instill unease.
I was probably 35 when I wrote the first story. The voice is kind of a mix in that it has a young voice, but it's also someone who's looking back. I like that kind of double vision.
I really feel like the first day I went to drama school and I went up on stage, that I found my vocation. It's kind of a cliched thing to say but I really feel like it was what I was meant to do.
The first movie I saw where it convinced me I could be an actor was 'Mean Streets,' so whenever I see Robert De Niro and he says, 'Hi, Denis,' it's still a really big deal.
I was not going to use writing for advertising or journalism. I would tend bar, load trucks, chauffeur - do whatever it took. But from the moment I took my first writing workshop, I was a writer.
It was what became something of a pattern in the first couple of years of the Clinton White House and maybe even longer, where information would drip, drip, drip, drip, drip out which would keep stories alive, alive, alive.
Going into my second film as a director, it's night and day of what it was like going into my first film. It doesn't matter what you know in your head and what you've been taught until you're there and doing it; it's a whole new ball game.
I tend to write first drafts that are incredibly cognitive, very rational, very boring. They come off as justification. Like, 'This is my idea and here's all the reasons that it's right.' It doesn't make for very compelling reading.
