Dan Evans: [handing him Alice's brooch] William, I want you to give this back to your mother. I want you to tell her that it helped me find what was right. William Evans: Pa... I can't. I can't just leave you. Dan Evans: I'm gonna be a day behind you...
Marilyn Lovell: [Jim is standing outside, looking up at the moon, covering and uncovering it with his thumb. Marilyn comes out with a garbage bag] You're drunk, Lovell. Jim Lovell: Yeah, I'm not used to the champagne. Marilyn Lovell: Me neither... [S...
William 'Bill' Pogue, CAPCOM: Aquarius, watch that middle gimbal. We don't want you tumbling off into space. Jim Lovell: Freddo, inform Houston I'm well aware of the God-damned gimbals! Fred Haise, Sr.: [calmly] Roger that, Houston. Jim Lovell: I don...
[Alvy is having sex with Annie] Alvy Singer: Hey, is something wrong? Annie Hall: No, why? Alvy Singer: I don't know. It's like you're removed. [a ghost of Annie rises from herself, and sits in a chair to watch] Annie Hall: No, I'm fine. Alvy Singer:...
Genie: So, what'll it be, Master? Aladdin: You're gonna grant me any three wishes I want, right? Genie: [as William F. Buckley] Uh, almost. There are a few, uh, provisos, a, a couple of quid pro quos. Aladdin: Like? Genie: [normal] Uh, rule #1: I can...
Agent Phil Coulson: You're at 114 Solenski Plaza, 3rd floor. We have an F-22 exactly eight miles out. Put the woman on the phone or I will blow up the block before you can make the lobby. [Luchkov, intimidated, puts the phone between Natasha's ear an...
Howard Hughes: Boy, you are just hitting on all six cylinders, aren't you? My God. Would you do me a favor and just? Would you just smile for me one time? Just once? [cigarrete girl smiles] Howard Hughes: Yeah. Yeah. You see, you got a short upper li...
[Danny walks in on Derek and Stacey having sex] Danny Vinyard: [whispering] Der. Derek. Stacey: Jesus, Danny! Fuckin' perv. Derek Vinyard: Jesus, Danny. What the fuck are you thinking? Danny Vinyard: Derek, there's a black guy out there breaking into...
Jack Lipnick: Look Bart, barring a preference we're going to put you on a wrestling picture, Wallace Beery. I say this because they tell me you know the poetry of the streets, so that would rule out westerns, pirate pictures, screwball, Bible, Roman....
Col. Robert Stout: Could you get a message down to XXXth Corps on that dingus? Radio Operator: Yes, sir. Uh, we just got word from the 82nd up ahead. They captured the Graves bridge completely intact! Col. Robert Stout: Aw, that's terrrific. Except X...
Tre Styles: I get a discount on clothes, and shit. You like? Doughboy: Nigga, you look like you selling rocks! Chris: Yo, Tre' you be slinging that shit? Tre Styles: No, I don't sell that shit! Doughboy: You couldn't anyway! Pops will kick yo' ass! Y...
Marty McFly: Tough break, kid. Must be rough bein' named after a complete butthead. Marty McFly: What's that supposed to mean? Marty McFly: [Biff knocks on Marty's head with his cane] Marty McFly: Hello? Hello? Anybody home? Huh? Think, McFly! Think!...
Marty McFly: [running into the Saloon] Doc. What are you doin'? Doc: I've lost her, Marty. There's nothing left for me here. Marty McFly: Yeah, that's why you gotta come back with me. Doc: Where? Marty McFly: Back to the future. Doc: [Nods his head] ...
Sundance Kid: Look out there! Butch Cassidy: What? Sundance Kid: Remember a few years ago when we were at a saloon in Denver? We got to talking to some gambler that night, and he told us about an Indian. A full-blooded Indian, except he called himsel...
Walter Sobchak: Etz chaim he dude, as the ex used to say. The Dude: What the fuck is that supposed to mean? What the fuck are we gonna tell Lebowski? Walter Sobchak: Huh? [blows out a cloud of smoke] Walter Sobchak: Oh, him! Er... [mutters incoherent...
Holly Golightly: You know those days when you get the mean reds? Paul Varjak: The mean reds, you mean like the blues? Holly Golightly: No. The blues are because you're getting fat and maybe it's been raining too long, you're just sad that's all. The ...
How can I be so captured by my own imagination that I can truly connect both to the person I'm playing and to the person I'm playing with... I didn't know it, but what I was really looking for was compassion. Not consciously, of course. I didn't cons...
. After innumerable failures I finally uncovered the principle for which I was searching, and I was astounded at its simplicity. I was still more astounded to discover the principle I had revealed not only beneficial in the construction of a mechanic...
...we have, each of us, a story that is uniquely ours, a narrative arc that we can walk with purpose once we figure out what it is. It's the opposite to living our lives episodically, where each day is only tangentially connected to the next, where w...
I knew even then that she was right. An en is a karmic bond lasting a lifetime. Nowadays many people seem to believe their lives are entirely a matter of choice; but in my day we viewed ourselves as pieces of clay that forever show the fingerprints o...
That kind of thinking [that writers must alleviate their guilt for leading a creative life] is based on the idea that the creative life is somehow self-indulgent. Artists and writers have to understand and live the truth that what we are doing is nou...
