I'd had episodes before, but I swept them under the carpet. This time, I couldn't do that because everyone knew. I got on with the hard work of getting better and haven't had a blip in almost 10 years.
When you balance it against New Order, New Order don't work or tour relentlessly. We definitely work in our own way and sometimes it's a bit too slow for me, so I like to plan ahead and fill my time up.
Relationships, it seems to me, are timeless. What works between two people always works; what doesn't is always troublesome. Over time, people learn - or not - how to negotiate what's difficult, but that doesn't mean the misfit has gone away entirely...
We all bullet point our triumphs, but I am who I am because of everything you don't see on my CV. The stuff that doesn't work out teaches you how to trust your instincts and adapt.
Ralphie as Adult: [narrating] My father worked in profanity the way other artists might work in oils or clay. It was his true medium, a master.
[first lines] Seth Brundle: What am I working on? Uhh... I'm working on something that will change the world, and human life as we know it.
Lisbeth Salander: [after having slept together the night before] I like working with you. Mikael Blomkvist: I like working with you too.
Dread Pirate Roberts: Good night, Westley. Good work. Sleep well. I'll most likely kill you in the morning.
Tony Montana: I work hard for this. I want you to know that. Elvira Hancock: It's too bad. Somebody shouldv'e given it to you. You wouldv'e been a nicer person.
My son tried to work in films and he ultimately gave it up, he finally couldn't make a living, he couldn't support himself. He worked all the time and he didn't make enough money to have a house, have an apartment.
I was never specifically associated with a part, I didn't have tons of money, I wasn't conventionally tall or handsome, so you know the things that were available to me were hard work and perseverance.
Sometimes I really need the money, really need to go straight to work. But if I had the absolute choice - money no object, my mortgage paid off - I'd really just work once or twice a year - but wouldn't everybody! - or at least do a different job som...
I think the biggest issue for legacy media - both TV and film - is that it just costs too much money to develop a TV series or movie. And most of them don't work. Then the one that works has to pay for the rest.
One might think that the money value of an invention constitutes its reward to the man who loves his work. But... I continue to find my greatest pleasure, and so my reward, in the work that precedes what the world calls success.
When I started in the clubs, I had to work places where didn't nobody else want to work. I had to do clubs where street gangs were, had to do motorcycle gangs, gay balls and things of that nature.
My unrealized ambition is to tend my vines, produce wine, and work like an artisan. I dream of rediscovering the old traditions and customs of wine growing, not necessarily to deny the technology which we have today, but to harness it and work in har...
There is a reason you keep hearing about the power of educating girls in the developing world. It's a reason so simple that you will probably view it with suspicion, as I once did. It's this: educating girls works. Really works.
I think the term poet is a very exalted term and should be applied to a man at the end of his work. When he looks back over the body of his work and he's written poetry then let the verdict be that he's a poet.
One of the things about having worked at certain places is that it becomes very hard after you stop working at them to continue a relationship, to continue even reading them. So I must confess that I don't read 'New York' magazine anymore.
The president - every president - works for us. We don't work for him. We sometimes lose track of this, or rather get the balance wrong. Respect is due and must be palpable, but now and then you have to press, to either force them to be forthcoming o...
I always wanted to create a site that was sports and pop culture. '30 for 30' had a big impact because I loved how that was about finding, empowering and working with these incredible directors, and I thought the same thing could work for writers.
