History is the present. That's why every generation writes it anew. But what most people think of as history is its end product, myth.
Whether or not the standard of living made possible by mass production and in turn by mass circulation, is supported by and filled with the work of us hucksters, I guess is something that only history can decide.
The long-established and noble rule of Law, one of the greatest products of the character and tradition of British history, has suffered a deadly blow. Blackmail has become respectable.
The history of African-American repression in this country rose from government-sanctioned racism. Jim Crow laws were a product of bigoted state and local governments.
I still remember my dismay in the summer of 2007 when - for the first time in the history of planet Earth - America's share of auto production dropped below 50 percent.
Country music is just country. It's going to shift around a little bit, doing some different instrumentations, different production styles. But it will always come back to what you heard at the Opry. Nobody wants it to change.
In December 2011, I will be opening up my production house, Sharmeen Obaid Films, and aspire to change the way Pakistanis approach nonfiction storytelling. There are thousands of stories to be found here.
Writers are a product of where we come from, but by looking at alternatives to the culture in which we live, we can find ways to change and hopefully improve it.
When our markets work, people throughout our economy benefit - Americans seeking to buy a car or buy a home, families borrowing to pay for college, innovators borrowing on the strength of a good idea for a new product or technology, and businesses fi...
I have a musical called Goodbye and Good Luck, based on a Grace Paley short story. I also have King Island Christmas, and there are 20 different productions of it this year.
Misery, mutilation, destruction, terror, starvation and death characterize the process of war and form a principal part of the product.
Different people have different styles, but there is an opportunity as a director to be a writer in every moment, with every visual cue and every piece of production design. Everything is a decision, and everything can be obsessed over.
I'm a big believer in the emotion of design, and the message that's sent before somebody begins to read, before they get the rest of the information; what is the emotional response they get to the product, to the story, to the painting - whatever it ...
First and foremost, I'm a decorator and product designer. Everything I do, the television shows, the books, that comes from the design work. It's what I love.
I've learnt something from every failure. The products I helped design at the first two companies I worked for were utter failures. But now I know why.
When children do not have three square meals a day, a proper education, and at least one adult who they know loves and is committed to them, it's very unlikely they will grow up to be productive citizens of the world.
We've got to move beyond the idea that the public and private sectors are at odds. Government has to lay the groundwork for private equity to productively invest in things like education. It's a partnership, not a battle.
We are now heading down a centuries-long path toward increasing the productivity of our natural capital - the resource systems upon which we depend to live - instead of our human capital.
In loving his own productive, generative, generous love, God loves all those ways in which that love can be realised in creation.
God knows I've had productions where there were actors in my plays who were making more money per week than I was.
I can't understand the conditions of a corporate product being designed and getting millions. I admire it, it's great, but I don't know how to do that. I have to have the wheel.
