We accept so many things that come through the media; we get used to them, however vigilant we are. But for any creative art, you have to remain 110% conscious, and in a world that's losing consciousness, that's getting harder.
Being on the run wasn't fun, but it was something I had to do. I was actually working in legitimate jobs. I wasn't living on people's credit cards. I was living like a character out of a movie. It was performance art.
My question about my art and my music has always been, 'Am I good, or am I good because?' I'm not the artist who wants to have the 'because' attached.
In our family, there wasn't anything else besides art. Nothing else in the world existed. My father never spoke about going to a movie or listening to music, other than my mother's singing.
1988 I also received from the city of Vienna the cross of honour for art and science. These titles and the various honors mean a great deal to me, most of all for the reason that they would mean a great deal to my parents too.
For us artists there waits the joyous compromise through art with all that wounded or defeated us in daily life; in this way, not to evade destiny, as the ordinary people try to do, but to fulfil it in its true potential - the imagination.
Personality is essential. It is in every work of art. When someone walks on stage for a performance and has charisma, everyone is convinced that he has personality. I find that charisma is merely a form of showmanship. Movie stars usually have it. A ...
I'm not in the luxury-goods business. I sell unique objects. I wish I was in luxury goods because then I could just call the factory and say, 'I need 10,000 more of whatever.' But I can't - because then it's not art, it's something else.
I discovered the 7th art at home when I was kid, through Charlie Chaplin's movies and those of my father who shot documentaries. He was my biggest influence. So I took his camera and started shooting.
Well, I'd say that the beginning of this thing came through with Art of This Century, Peggy Guggenheim's, where she opened this gallery and began showing some things that caused a little talk, amongst a lot of other things.
I'm awake as soon as the sun crests the eastern hills. I guess I'm motivated because I love just about everything about my life - the writing, the many critters, the art, and all the rest.
I've zeroed in on what you would call action and excellence... Everybody who does anything to try to succeed has to give the best of themselves, and art has made me pull the best out of myself.
I wanted to emulate my parents - Mum captained India in basketball, and Dad won a bronze in hockey in 1972 Olympics. My focus has always been to achieve excellence whether in the field of tennis, in the corporate field, in the art of acting or in mot...
I don't think we have reached a point where art really translates into science. Perhaps for some people, having good visuals can help translate into science.
I am able to write musically about the visual. I can pick up tones, I can pick up themes. And I find visual art is a wonderful launching-off place.
I kind of write about visual art the way Roger Angell writes about baseball, which is to say, you're writing about life: it's a somewhat focused, limited terrain in which you write about everything.
I really don't like art where you need to know so much theory to understand. If the theory is removed, it doesn't do anything. That means that this work is an illustration of theory, and I don't believe in the power of the work itself.
I'm happy to be a writer - of prose, poetry, every kind of writing. Every person in the world who isn't a recluse, hermit or mute uses words. I know of no other art form that we always use.
An interesting thing happened in 1989, right as I was graduating: the stock market crashed and really changed the landscape of the art world in New York. It made the kind of work I was doing interesting to galleries that wouldn't have normally been i...
We call those works of art concrete that came into being on the basis of their inherent resources and rules - without external borrowing from natural phenomena, without transforming those phenomena, in other words: not by abstraction.
In high school, I was very active in extracurricular activities such as art, theatre, and choir. I also wrote for the school newspaper, but not regularly, because I never liked writing non-fiction very much.
