No film should try to follow a trend, and do what film people think the public wants. There's no such thing as knowing what the public wants.
Once I finish a film, I don't ever see it again. Never ever. I have never seen any of my films since I finished them.
It's hard to make a living doing documentaries. Frankly, if it takes you five years to do a film, and that's the only film you're doing, you're in trouble.
I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.
Film and novel characters are often stereotyped, but racial stereotyping in many novels or films creates & encourages labelling, discrimination & racism. ~Angelica Hopes
I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
For the most part, the American film market has become very corporatised, even independent film to a degree, and because of the corporate management mentality, they want to take the safe way.
I do want my films to have the required entertainment quotient, but I'd prefer doing films where you don't have to leave your brains behind.
When someone goes to watch my film in the theatre, they won't remember the last four articles they read about me. Instead, they will think about the last film I did.
In Europe, there is no television filmmaking legislation that could assist film production because private broadcasters are not interested in supporting Polish film.
He considers the theatrical version of Fanny and Alexander an amputated version of what his original film was, and he doesn't really like the shorter film.
Most people don't really understand what it takes to get a film made, and the struggles .I think anyone who makes a film goes through their own set of struggles.
So as I was growing up, my father was always in the middle of making a film or preparing a film. It was a full-time, all-consuming type of operation.
We live in a youth-obsessed, aesthetically obsessed culture. That is no more evident than in the film industry.
On Saturday afternoons, there was a film, of course, and then we did about four shows between the films. And I would do a tap dance, a little military tap.
I have always thought if you are going to make a film, it's much better to have an original script that will play to film's strengths.
'Things To Do In Denver When You're Dead' is one of the most underrated films. There were even different cuts of it. A wonderful film.
The Australian film industry is a small industry, so you have to really be flexible within working in different mediums. A lot of actors work in theater, film, and television, because there's not much opportunity in terms of employment there.
These films however, have ambiguity built into them, because it's too easy in film to make a strident work of propaganda or advertising, which are really the same thing anyway, meaning the message is unmistakable.
I avoided nudity unless a film couldn't be told without those scenes. If you look at my films, few of them have that element, yet nudity and male fantasies have become emblematic of my work.
It used to be that if you were on a sitcom you couldn't get work in film because it was so different. Now it's almost like you have to be on TV to do other film work.
