In Europe, there is no television filmmaking legislation that could assist film production because private broadcasters are not interested in supporting Polish film.
But you talk to most filmmakers and it is six, seven, eight years trying to get things off the ground. It is incredible really.
With the Ford Foundation grant all of a sudden instead of being an artist that had made a couple of short films, I became a filmmaker who dabbled in the arts.
Especially when you talk about the power of documentary filmmaking, you can't really have a slant; financially, you can't have a slant on the end goals.
I think the worst that can happen in filmmaking is if you're working with a storyboard. That kills all intuition, all fantasy, all creativity.
I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
The system is not really particularly amenable to filmmakers who write and direct their own work. It's much more about the studio already having a property that has a marketable concept and then hiring the director on board.
If you're a wildlife filmmaker and you're going out into the field to film animals, especially behavior, it helps to have a fundamental background on who these animals are, how they work and, you know, a bit about their behaviors.
I think naturally I'm a very visual kind of person. If I wasn't in filmmaking, I'd be in something related to visuals. And I used to actually work as a visual-effects artist.
We have filmmakers who make films with some kind of responsibility and take cinema seriously like Shyam Benegal, Govind Nihalani, Prakash Jha. But now these people also take stars... Without stars they cannot work.
There are certain filmmakers I'd like to work with that I don't think would take a risk with me, because I could be distracting in their film. It'll take a couple films to prove to them that it's worth the risk.
The process is important, regardless of the outcome, just ask Schacter. (...)mental health... is not a destination but a process. It's about how you drive, not where you're going. The therapist is like a driving instuctor, not a chauffeur.
You're either growing or dying. Stagnation does not exist in the universe.
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He did not arrive at this conclusion by the decent process of quiet, logical deduction, nor yet by the blinding flash of glorious intuition, but by the shoddy, untidy process halfway between the two by which one usually gets to know things.
I can't separate the process of writing from the visual process. I'm speaking only for myself here, but I'm a highly visual writer. In my imagination, when I'm thinking of a scene, I think of every last detail of it: The space, the color palette, the...
Technology is usually there to let some process go on hidden in the background. For us on 'MythBusters,' we're always trying to make the process apparent. So, we have learned to try and never rely on a technological solution when an analogue one is i...
I am in the process of trying to decide whether I can make a substantive and productive contribution to the policy-making process. I was always there because I wanted to work on the pressing issues of the day - I'm interested in energy, I'm intereste...