I wanted 'Southland' to feel immediate, like a ride-along, and to make it the closest thing possible to a cop reality show. We've got real cops out there every day. A lot of times we'll say, 'You guys just do what you normally do and we'll film it.'
I think in television and film, it's not usually the child's point of view. It's the story of an adult. If there's a child in a drama or an action-adventure movie, they're someone who needs to be saved, someone who needs to be protected, or if they'r...
Grain isn't structured like a screen door that you're looking through, but pixels are. Film-based grain is just all over the place, one frame totally different from the next. So your edges are coolly sharp and have a different feeling, an organic fee...
The comic book is not the book. the graphic novel is not the novel. The same, of course, is true of films and television. When we move a story from one medium to another, no matter how faithful we attempt to be, some changes are inevitable. Each medi...
I think my recognizability ebbs and flows. I don't lead a particularly celebrity lifestyle or anything like that. I don't go to showbiz parties or red-carpet events, so it all depends on whether I've got a film out. I've not been very visible in the ...
I'm a filmmaker, but my working procedures are different. All my basic structuring is done during the filming. You know, how long I keep the shot, the exposure or the speed - slower or faster, etc. That's structuring. And then there is a second stage...
It's easy to get caught up in a moment and think, 'Oh, I've been offered some giant studio film or a superhero franchise or some actor wants to meet with me about a project they want to do.' And it's easy to get caught up in a moment because it's fla...
Back when you were doing plays like 'The Miracle Worker,' you had 20, 25 people in the cast. When you go to make the film, that's not such a stretch. But when you're doing plays like 'Proof,' it's just five people or something in the thing, and it ge...
If you're a writer, write. You just keep writing. And if you're a filmmaker, you keep doing what you can to keep telling your stories; you don't stay on the one. Keep moving forward and doing what you can to tell whatever story you can tell, be it vi...
I remember seeing 'Aladdin' when I was five or six and loving it. I looked at the big screen and said to my mum, 'Whatever this Genie guy does, I want to do.' Mum said I couldn't be a genie, but that Robin Williams, who did the voice-over in the film...
The whole idea with acting is that you take some risks. And if you take some risks, you're really going to mess up sometimes. But it's not OK to mess up a movie; it's not OK to do that just so you can improve as an actor. But film-making takes a litt...
When you do a play, you have the kind of nightly feeling of accomplishment. But you also have the daily dread of the doing it every night. And because you're doing the whole thing every day, it's like climbing up the mountain every single night. With...
Good art requires the examination of faith issues from a variety of perspectives and voices. Yet for many audience members, the only way a film can be “Christian” is if there is a major altar-call type scene with a dramatic conversion. If the mov...
I am just pitifully nostalgic. I can't help but roll my eyes at myself frequently. I mean, I still shoot black-and-white film. And I am constantly reminiscing about the 'good old days.' I'm 28 years old. There haven't even been that many 'good old da...
Every film is hard work, and a few lucky people do get Oscars for what they do, and it's recognition for all that hard work on a certain level. If you didn't do the hard work, you wouldn't be standing there. On the other hand, people do a lot of hard...
[Dory is trying to read the pipe that says "Sydney Water Treatment"] Dory: Si... side... syd... nay... Sydney! [she hears a "P. Sherman 42 Wallaby Way Sydney" flashback in her head, and sees a rapid succession of memories from earlier in the film] Do...
Rob: [lying in bed imagining the scene] You are as abandoned and noisy as any character in a porn film, Laura. You are Ian's plaything, responding to his touch with shrieks of orgasmic delight. No woman in the history of the world is having better se...
Finbar McBride: Well, there are people called train chasers. They follow a train and they film it. Olivia Harris: Are you a train chaser? Finbar McBride: No. Olivia Harris: How come? Finbar McBride: I don't know how to drive a car. And I don't own a ...
Newscaster: But, Mr. Minister, it isn't like this film is the first troublesome thing to come out of Canada. Let us not forget Bryan Adams. Canadian Representative: Now, now, the Canadian Government has apologized for Bryan Adams on several occasions...
First play I ever did was 'Footloose.' I played the part of Willard when I was 16. I think I wore my drama teacher's jeans and her belt - that's how small I was. I know a lot of Willard's back story from the musical that's not explored in the film. L...
I'd love to do more TV, but I'd love to get into more feature films. I'd also love to go back to the stage when the time and opportunity is right. I haven't gotten to do a lot of that here in L.A., but my favorite thing to do is live theatre. I'd lov...
