For behaviorist films, that's been much more useful - the change of technology - but for my kind of films, doing them on film is much better, because it's more beautiful.
I think that the change began... I made a film a few years ago called The Spitfire Grill, and that didn't make much money either, but it was a good film and an independent film.
I think the audience know which films are aimed at their pocket, and which films are aimed at their soul. There are a lot of films out there made by people who are genuinely trying to make a change.
The ethos of most films is that you make a film, you exploit the community, you exploit the environment, and it's OK because you made a great film, you know?
A good project but a poor director will always make a mediocre film, but an average script and good director can make a good film, as he will put in everything to make the film look good.
It's a very good thing for students also to be exposed to people who aren't film students or film scholars but who work in the world of film.
When I stopped making films, they were getting on to the more realistic films and the explicit films and all. They were depicting life as it is, and some of it was unpleasant. I gradually moved away from that.
I did sing in another film called 'Empire Records' which is a cult film. 'Grease 2' is also a cult film. You either love it or just think the original was better.
I considered going to film school; I took a course in film and was very interested in filmmaking as well as film writing.
Film is my hobby, so I will work well through the night to develop films, whatever film I'm doing or dream projects I have.
I was one of those avid moviegoers as a kid, and we didn't have video, so we went to see everything five times. I went to see every foreign film playing in my town. As times went on, I watched a lot less films. I have a different film school now. My ...
I don't watch my own past films: when I watch them, I find they don't work very well, because I have changed. If I continue to make films, in fact, it is because I always want to repair my films. My inner rhythm has changed; I have changed. I have ch...
There's good art and there's bad art. A lot of action films are bad art, but Paul Greengrass showed us with the Bourne films that it's possible to make an action film with a political, social conscience.
Personally speaking there's only so long you can go from film to film to film. There's an inspiration an actor gets from the stage.
I became a film director, but I wasn't successful with my first couple of films, so I had to turn to becoming a film critic to make a living.
As long as I am acting, I will do only Telugu films. I want to take Telugu films to the world. Everyone should talk about our films.
There's been almost a dozen films that have been made against me. There's actually more films made attacking me than films I've made.
In the beginning, it wasn't even a question of deciding I'm going to do independent film and not commercial films - I wasn't being offered any commercial films, and there wasn't an independent scene.
Different films have different places in people's lives. I don't get to see a lot of films, so I want to watch films I learn from.
I did a film which was considered an independent movie with Dustin Hoffman and Andy Garcia called Confidence, and that's the type of film I was willing to take a chance on that because of the caliber of people involved with the film.
All of a sudden, there are great Japanese films, or great Italian films, or great Australian films. It's usually because there are a number of people that cross-pollinated each other.
