What you're really after when you see a film or listen to a song is a singular vision, and I'm not sure how much of that you really get in Hollywood.
The idea of acting is something that absolutely repulses me. I just can't do it. I'm terrible at it. I get roped into films every now and then, and it's always a disaster.
Most of my favourite moments in film have been when I've had an opportunity to say something from scratch, something original, whether I jotted down a few lines or it came out in improvisation.
You get dinged for wanting to do a comedy, then wanting to do a big-budget action film, and then wanting to do an indie. But you can't let other people trying to label you get in the way of trying to do something artistically.
I did 'Kidulthood' and 'Adulthood,' and that's what people wanted and expect me to always do. They want me to do 'hood films and be the guy swinging baseball bats and saying 'Yo Blood' and beating up others in the street.
Whenever I wasn't in school with a tutor three hours a day, I'd get a knock and be rushed to set and they'd be waiting and I'd film my thing and then I'd go back to school again.
It's no good pretending that any relationship has a future if your record collections disagree violently or if your favorite films wouldn't even speak to each other if they met at a party.
No, I just thought of a story and wrote down what I saw. It was about two kids in Ireland who went around killing people. It was called Travelers, and it was made as an independent film.
I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like.
To tell you the truth, I never wanted to become a moviemaker. It was like I was a cinepihile, and I go, like, three or four times per week to the cinema, and I like to watch films.
Pirates are the very essence of profit maximising entrepreneurs described in neoclassical economics. Yet, whilst films such as 'The Pirates of the Caribbean' and 'Butch Cassidy and the Sundance Kid' have gone a long way to popularise both pirates and...
I'm working on something that's not yet novel-shaped but is something of a film-noir-flavored 'Alice in Wonderland.' It will also very likely be a single volume story and not the start of a series.
It is a very unusual sector and the one thing I would ask of them is to understand that for most of them one-third of their films are being financed by the taxpayer and that carries huge accountability and responsibility.
If you invent the Mini Cooper, pour all your energy and passion into it and it gets made, you should be on a roll. In the film industry you have to start again the next day.
Films are not primarily an entertainment medium. They are weapons. If you understand that, then you are ready to pursue filmmaking as a vocation.
I see film as a real opportunity to examine the human condition. No matter where the technology goes in the future, the basics don't change. Storytelling is a primitive tribal function. The elders sat around the fires and told these stories as a way ...
Personally, I don't give a toss about French viewers. I make films for foreigners - it's a bit like Ken Loach, who's not very popular in England but has had a lot of success in France. Cinema is always an experience in a foreign body.
The men were all scumbags, but the whole point of the film is to show the development of that. Each guy is going in there to have a good time. By and large, these men are career men, family men, and you just see the deterioration of them.
Being on film is forever. Television, as well, just lives on and on and on, which is really exciting. But then with theater, it's like an experience. You have to be there that one special night that was like that to see that one performance that was ...
The truth is, it's a totalitarian dictatorship when you're making films. You are the boss. You can listen to other people, and it can be a benevolent dictatorship, but it's a dictatorship nonetheless. A lot of directors go past their first experience...
'Ten Year' was probably - I might say 'Ten Year' was my favorite filming experience of anything I ever worked on. It was totally different from 'Moneyball' in that it was a small budget, independent movie. It had a giant ensemble of actors, all of wh...
