I grew up in Europe, and I used to like those very slow-moving European films. I've been contaminated by the American TV culture, and I just want things to move faster now.
I don't want to force my mind to love someone else or adjust with someone whom I never can give my true love. #Life Of Love - Film
I have people around me. I have a semi-permanent crew. If I make a film, they just turn up. They don't even invite themselves. They don't ask if they can come - they just turn up!
Since 'A Dangerous Method,' I've had meetings with everyone from J.J. Abrams to the producers of 'Drive.' And they all have the same thing in common; they say: 'Wow you worked with Cronenberg.' He gave me instant film cred.
Composers and lyricists are not responsible for storyline and casting. One can imagine actors shouldering this responsibility, since they charge for half the film. But producers never ask actors to share the losses. Instead, they train their guns on ...
The question is - did Richard Attenborough have a right to make 'Gandhi?' And did Danny Boyle have a right to make 'Slumdog Millionaire?' Quite honestly, if they didn't have the right to make these films, I had no right to make 'Elizabeth.'
I've realized I have to be very careful in what I say. I speak my heart out. Such honesty is not appreciated in the film industry. Instead, it is twisted and distorted. A lot of what I say is lost in translation.
I grew up with the television product being old Western serials like Roy Rogers, and John Wayne and Gary Cooper, and many others were my favorites when I was a young person going to films.
'Do the Right Thing' was my first union film. I looked at the rosters, and for the most part, it was white males. Especially the Teamsters. So we had some conversations.
I hate the analyzing thing. People say, 'Why do you think your character did that? I don't know. I'm not an analyst, and they're not in psychotherapy. Unless it's a film where they're in therapy.
I've made some stupid decisions, so I have to be careful. I once said 'no' to a film that was a number-one hit. And 'Date Movie' had the smallest budget of any movie I'd been in, and it went to the top of the box office.
I spent six years touring the world playing Shakespeare, Molire, Shaw, Goldsmith... But I slowly came to realise that the people you are working with are as important as the parts you play, and that there were lots of interesting people working in fi...
Recording a scene with paint rather than film sinks you more deeply into your surroundings. You have to look a little harder and a little longer. And you end up with a memento.
There is a conception about me that I am a playback singer and I sing for albums or for films only, but my roots are in bhajans. Even when I was in school, I used to win competitions for ghazals and bhajans.
My films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population.
I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it.
When I watch a film, I watch it as an audience instead of thinking as an actor or an intellectual. I see whether it made me laugh, get involved or shocked me at certain points. Something has to stir inside me.
The only movie that I would ever even consider retrofitting is the first 'Jurassic Park,' which I think would look pretty spectacular in 3D. That's the only one of my films that I would consider doing in 3D.
NFL Films has had one continuous, creative vision for 47 years. These are timeless things; timeless stories that we capture just like people go back and read Greek mythology.
People assume that 'The Expendables' is old school, but it's only old school because that's the way I know how to make an action film. It's pretty real.
I like dramas because there's a big overlap between film and fiction, so I feel relatively qualified to talk about plot and characterisation and that sort of thing.
