I really loved making 'A Walk to Remember', so I'm not afraid of making smaller films. But for me, I just need to connect to the characters.
I have to say that as an actor, I really look for the role. I'm not really looking to see if it's for television or film, because there are highly talented people in both mediums.
I would like to, especially in film, play against type and do some heavier stuff. I'm intrigued by projects that deal with problematic people and things.
I wouldn't mind being in an American film for a laugh, but I certainly don't want to be in Thingy Blah Blah 3, if you know what I mean.
The film, even when we were making it in that budget range, which was really a coup - we got it made because we pitched it to the studio head, Joe Roth.
There is nothing better than playing a bad girl for two months, then turning around and playing someone sweet. Films give you this opportunity.
When a film is created, it is created in a language, which is not only about words, but also the way that very language encodes our perception of the world, our understanding of it.
If you want to know all about Andy Warhol, just look at the surface of my paintings and films and me, and there I am. There's nothing behind it.
One would think that it would be very easy, with an iconic character like James Bond, to keep making the films, but it hasn't been. But, it sure has been entertaining and rewarding.
When you're doing a film, people are always telling you exactly what to do. Literally, your own decisions are taken away from you.
I'd be lying if I said it wasn't fun to go to these nights out, like the opening of a film or something, but I dip in and out of it.
I have done some tacky films, but then they were all my decisions, and I'm happy to have made those because they have made me who I am.
The strange thing is that since I've been offered lots of films I think that maybe they think that I've sold out to Hollywood. Which is not the case if anybody's listening.
My soul is not my own any more. I cannot live like I want to. I am going to give up films.
I'm not interested in making a $60-million studio film with a bunch of 24-year-olds telling me what to do.
With the Ford Foundation grant all of a sudden instead of being an artist that had made a couple of short films, I became a filmmaker who dabbled in the arts.
Onstage or in films, you do affect peoples' lives, and sometimes that's very gratifying. But still, there's this little voice that says you should be doing something that matters.
And we had the perhaps unfair advantage of not having to worry about what an audience was gonna think. We were in a vacuum. We were making little short films, really.
I'm not saying that it's wrong to make huge Hollywood films but it's just a different kind of feeling, a different sort of pleasure.
As with instant replay, NFL Films' use of slow motion, camera angles and the narration of Facenda was not just a technical breakthrough but a conceptual breakthrough.
Many fear mistakes. In TV and films you just re-shoot the scene. In life do the same and just shoot a re-take.
