I've seen people who stink, but the film editor shows them just where they didn't stink. But if you're empty and manipulative on stage, it's clear.
I got involved in script development from the beginning. It was nice to see how a film gets made right from the beginning. It was quite hands-on for me.
Still, as much as I wish Ballistic Kiss could be a better film, the recognition it gained from critics and at festivals speaks for itself.
At the end of the film Val suggests there may be a way to rejoin the living, when he says, 'Let's see if we're able to live among the living, walk among the living.'
I'm betting that in two years I'll be talking to you about a film that I shot on an iPhone. It's absolutely coming, I have no doubt in my mind.
No more bare bodies in film scenes for me. For my children's sake, I must stop. The other kids at school keep throwing it up to my children, and they are not kind.
I was definitely surprised when Talk Radio took off as a play. As a film it has become somewhere between a popular thing and a cult thing.
Some films I say no to and they end up working very well, but I don't care, I just want to do something exciting.
I didn't realise my upbringing was unusual until my teens. As the child of two actors, I presumed that visiting film sets and being surrounded by colourful characters was normal.
The difficulty with film is you always have to consign a story to being a certain length, whereas with a book you don't have budget constraints; you can cast it yourself.
I have always thought we should think less about the British film industry as an entity, and more about getting British talent working.
Initially, my father opposed the idea of joining films and did not want me to move out, but now I'm closest to him and have his full support.
My victory is when the audience buys a ticket to watch my film. I am extremely thrilled when they give it a thumbs-up.
I was mainly a stage actor. I found film acting mechanical, because it was so technical - there was so much technique with the lamps and the movements of the camera.
I'm going to make a film where not one word is really important. I'm going to make it all action.
When you want to make a film abroad, you need producers and people who support you. You need a team that speaks your language.
Among the roles I've played on stage, television and in films were politicos as diverse as Abe Lincoln, Juan Peron, Herman Goering, George Wallace and both Roosevelts.
Look at the Coen brothers. All their minor characters are as interesting as their protagonists. If the smaller characters are well-written, the whole world of the film becomes enriched. It's not the size of the thing, but the detail.
I think about 'The Hurt Locker,' and we made a film about three guys, three different looking guys with three very different energies.
Our film industry as well as the audiences are now open to unconventional pairings and subjects, which has aided my journey greatly.
A whole film is just about arriving at a moment where you hopefully transfer some feeling to the audience.
