The thing that fascinates me is that the way I came to film and television is extinct. Then there were gatekeepers, it was prohibitively expensive to make a film, to be a director you had to be an entrepreneur to raise money.
I'm not a writer. I think I can write short stories and poetry, but film writing, brilliant film writing, is a talent - you can't just do it like that.
I never would have guessed I would be making science fiction and horror films.
The effort always remains that my new film outdoes my last in terms of performance and gets better box office success. Box office is the sole reason why I do films.
A lot of films made me love the movies, everything from Hitchcock to Godard. But the ones that really grabbed me were Costa-Gavras's films like 'Z' and 'State of Siege.'
Film music should have the same relationship to the film drama that somebody's piano playing in my living room has on the book I am reading.
Well, I think every film student goes into film school thinking they want to write and direct their own movies, and they don't realize how much goes into it, and what a process it is.
To get noticed, I had to take my films in a space which was much more democratic in terms of cinema - the international film festivals.
There is an audience out there for literate films - slower, more observant, more human films, and they deserve to be made.
To me, the box-office is basically the cost of film. If your film costs so much and your box-office is so much and a bit more, you are okay.
I have a second bedroom I don't use. I'm going to start the Second Bedroom Film Festival. You're all invited.
These people go on to tell us that mobile phones will cook our children’s ears, that long-haul flights will fill our legs with thrombosis and that meat is murder. They want an end to all deaths – and it doesn’t stop there. They don’t even see...
How may a mortal, face and defeat the Kraken
If I want to be the sexy Bipasha Basu, then I'll do a song here or a glam role there. But I want to be part of films that are watched, films that earn money and are new age, with author-backed roles.
There is a film called 'A Separation.' If you see it playing, go see it. It's beautiful. It's so well written and the acting is amazing. It's one of those films that you would love to be a part of.
I had such an amazing time filming 'Major Movie Star.' I loved everyone in the cast. They all brought their own spirit to the film, and I hope that is what will be seen on screen.
Sometimes you do a film because the script is amazing, sometimes you do it because you get to work with amazing people, and sometimes you do a film because they pay you money.
I'm very manipulative towards directors. My theory is that everyone on the set is directing the film, we're all receiving art messages from the universe on how we should do the film.
Silent films were, I think, more different than we know to sound films. We think of it as simply that we added dialogue and in actual fact I think it was an entirely different art form.
If 'formulaic' is somebody who is unlikely to succeed starting down a process and succeeding - then isn't that what most films are about? And art films are about people who aren't likely to succeed and then don't succeed.
When we started Angels & Airwaves, we wanted to produce our art on different mediums, but the film was an ambitious one because we actually didn't go into it thinking we could make a big feature film.
