I think you tend to try, during the time you've got off, to forget about the film. It was such a total world. I mean, the sets were claustrophobic, and as soon as you were on there, you were right back into it.
Those of us in the industry who are still foolishly clinging to the idea that female films with women at the center are niche experiences - they are not. Audiences want to see them and, in fact, they earn money. The world is round, people.
I love the energy of an independent film set. No one is there for the money. Everyone is there 'cause they really want to be there. It makes all the difference in the world. It's without ego and agenda, other than just wanting to fulfill a creative d...
I'm interested in new worlds, new universes, new challenges. I always said the only reason to make a film is not for the result but for what you learn for the next one.
I get impatient with people working on a film that have their head in their hands like it's the most complicated thing in the world.
When a film is created, it is created in a language, which is not only about words, but also the way that very language encodes our perception of the world, our understanding of it.
American films are terribly popular all over the world and American movie stars are terribly important. I don't know why.
You have the massive world that was created by Marvel, and then you have these very intimate actors around you. There was as much character work on this as there would be on a little independent film. So, I felt very fortunate in that sense.
Filming movies and TV are vastly different. Film is more of slower pace. You usually have more time to develop characters, and it sometimes takes up to 3 months to film one movie. Sometimes you'll spend half the day filming one scene. TV moves much f...
The films that have influenced me and the films that have motivated me and inspired me were films that resonated, films that made me think after I saw them.
Sony could have $50 million and a sound stage and A-list actors and never make the same film. The constraints on this film became the essence of this film, became the power of this film.
Dana: I am so excited to see this film. Dustoff Varnya is such a brilliant director. Did you see his last film, The Flower that Drank the Moon? It was... glorious. Seymour: I must have missed that one. Then again, what do I know? I like Laurel and Ha...
P.A. Announcer: Attention. Attention. May I have the camps' attention? This week's movie will be When Willie Comes Marching Home. Uh... The biggest parade of laughs of World War II. All the love, laughs and escapades of the Willies who came marching ...
People talk about making art films - experimental films. I can make an art film every day of the week. Nothing to it. What's difficult is to combine a commercial film with art.
The Cannes film festival is about big-budget films but also remarkable films made in different political regimes by film-makers with little resources.
All in all, I'd like to venture into film. Films are my staple diet, so I would love to be part of a feature film, independent film... it all just depends on the story and the people behind it, really.
I didn't go to film school. I got my education on the set as a niche publicist in the film industry.
I've been able to make some wonderful films, but sometimes you make films with great passion - great belief - and these films slightly don't work at the box office, and they become your favorite films.
I firmly believe that emotions are universal, and I know that when they connect with the audience, it works. There is no such thing as an entertaining or a serious film; there are good films and bad films. Good films will always find a vast audience.
I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
I don't like horror films. Horror films in the sense of the way horror films are now, like 'Saw,' I don't like that, I don't.
