I was called in from the producer, who was a guy who lived in Texas and an outsider in the film industry, and he said, 'I want to make a movie and I want to make it about this guy; will you join me?' And I said yes, and I was intrigued by this story ...
When Carpenter was shooting 'Vampires' in New Mexico when I was living there, I desperately tried to get a job working on that film, and I couldn't. So my first job as a PA was on a CBS movie of the week that was shooting next door, and whenever I co...
People say my films are dark. But like lightness, darkness stems from a reflection of the world. The thing is, I get these ideas that I truly fall in love with. And a good movie idea is often like a girl you're in love with, but you know she's not th...
When you're making the film, you don't really think the audience; it's only when you start editing that you really start to became aware of your audience because you're thinking of how you communicate these ideas, and how lucid can you be, and yet st...
Voice of Drug Film Narrator: Know your dope fiend. You will not be able to see his eyes because of tea shades, but his knuckles will be white from inner tension and his pants will be crusted with semen from constantly jacking off when he can't find a...
Andy: Watch this. [Data's father takes a camera out of his jacket and proceeds to take a picture but the film falls out. Andy starts laughing] Andy: He's just like his father. Data: [in Chinese] That's okay daddy. You can't hug a photograph. Mr. Wang...
Roberta: [after showing her weird short film to her art class] That piece is entitled "Mirror, Father, Mirror". I like to show it to people that I'm meeting for the first time because I think it says so much about who I am and what it feels like to i...
Mary Ann Gifford: You fuckin' fascist! Did you see the film we made at the San Marino jail breakout demonstrating the rising up of the seminal prisoner class infrastructure? Laureen Hobbs: You can blow the seminal prisoner class infrastructure out yo...
[after filming a love scene] Lina: Oh Donny! You couldn't kiss me like that and not mean it just a teensy bit! Don Lockwood: Meet the greatest actor in the world! I'd rather kiss a tarantula. Lina: You don't mean that. Don Lockwood: I don't - - Hey J...
Once I realised that my job as a model was to emote in front of the camera, I thought, 'Well now, I just have to add words, and I can do films.' But also, my success as a model made me more confident about becoming an actress because, just in case I ...
Writer: You see, what stands out at a first reading is the lack of a central issue or a philosophical stance. That makes the film a chain of gratuitous episodes which may even be amusing in their ambivalent realism. You wonder, what is the director r...
Amber Waves: [having sex, filming a porno] Oh, John. You're a wonderful actor. Dirk: It's okay to come? Amber Waves: Are you ready to come? Dirk: Yeah. Amber Waves: Come in me. Dirk: What? Amber Waves: I'm fixed. I want you to come in me. Dirk: Okay....
I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as ...
It's disingenuous to say that criticism doesn't get to you or you don't hear it or that you ignore it. When everybody says, 'That's crap. I hated that,' you hear it. But it's much, much worse when they're right: when you feel that it is an absolute p...
It doesn't mean I'm not thinking it. I always feel a bit defeated when I have to follow up with "I love you too". It's like the sequel to a film: I Love You and I Love You Too. You know the second one's always going to be a predictable reworking of t...
I used to not listen that much, but I've really learnt to listen to other people and to really listen to what they're saying. I've found, especially being on a film set, people have so many different stories; if you just listen, you can pick up so mu...
I don't know how I didn't kill any one of my sisters. For this one horror film we were making, I made my own harness for my sister. I wrapped her in all these ropes, but then also put a noose around her neck and hung her from a tree. Now I think, 'Wh...
Social Note: I have sought escape in the Prytania on more than one occasion, pulled by the attractions of some technicolored horrors, filmed abortions that were offenses against any criteria of taste and decency, reels and reels of perversion and bla...
This false distance is present everywhere: in spy films, in Godard, in modern advertising, which uses it continually as a cultural allusion. It is not really clear in the end whether this 'cool' smile is the smile of humour or that of commercial comp...
Remember the great film with Bette Davis, All About Eve? There's a scene after the scheming Eve steals Margo's role through trickery & then gets this magnificent review. Margo of course is effing & blinding all over the place. And crying. Her directo...
We love films because they makes us feel something. They speak to our desires, which are never small. They allow us to escape and to dream and to gaze into the eyes that are impossibly beautiful and huge. They fill us with longing. But also. they tel...
