Hollywood is a wonderful machine for making big movies. In France, we make smaller and more personal films, but if things keep changing, this will disappear. The industry in Italy is practically gone. Cinecitta now is used mostly by filmmakers from o...
I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself...
I'm a Hollywood kid, and I know that there are only so many stories. Only so many tales around the campfire that we have to tell. Then we have to regurgitate them. Our grandparents' movies were all remakes of silent films - we forget that, but it's t...
Josef Stalin dubbed in propaganda film excerpt: If Amélie chooses to live in a dream-world and remain an introverted young woman, she has every right to mess up her life!
Little Bill: My wife has an ass in her cock in the drive way, all right? I'm sorry if my thoughts are not on the photography of the film we're shooting tomorrow.
Often in films, you have no idea where you're going to be six months from now. And I grew very weary of that. And television, although it wasn't necessarily as creatively diverse as filmmaking can be, it was the lifestyle choice that I needed to make...
For me, my films are not like my children. They are like my ex-wife. They gave me so much; I gave them so much; I loved them so much; we part ways, and it's OK, we part ways.
For myself, I would rather take less roles and be working on films that I'm passionate about, that are going to challenge me and that I'm going to be growing from. I don't ever want to take a movie just for the sake of working.
If somebody had started on a remake of French Kiss before I announced my own film, I would have dropped my subject. If someone else starts after me, what am I to do?
Once you do something violent in a film, you don't have to do too much. You do it once and the feeling of violence just stays there, do you know what I'm saying?
Film scores are often based on short themes, and it helps if you've got some way of developing these themes and making them sometimes last 4 minutes and sometimes last 40 seconds. One ends up doing it subconsciously.
I quite like post-apocalyptic films, things like 'Mad Max' for instance, because they are so full on and there is something quite cleansing about the post-apocalyptic because you can see where we all think we're heading.
I would never want to do something just for the sake of being independent or for the sake of doing big films. I'm always surprised by the material I'm attracted to. And that's how I like it. I like to be surprised.
Think about trailers you see in theaters. If you're seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.
Unless you're trying to make a movie on the sly, there's no way to get around this. If you want to use public spaces, film on the streets, have the cooperation of the police, you have to have a permit.
I would tell filmmakers: 'Don't just be seduced by the same old, same old. There are interesting things you can explore that may get your film out there to audiences better than the traditional distribution mechanisms.'
I don't have anything saying, 'I'm going to do this many new films, and this many comedies.' But, it's always exciting for me, whenever it is a new character and something I haven't done before, and that's part of what draws me to it.
If you catch me coming out of a film, when I'm emotionally involved, I can tell you at that moment why I like it - but to talk about it years later is not logical to me.
I think right after 'Up in the Air' everyone wanted me to play the girl from 'Up in the Air,' and it took a little while for people to think of me as an actress from a film that they liked instead of just that character.
After making a movie, maybe you weren't able to shoot many of your ideas, because a movie is only 1 1/2 or two hours long, but TV gives you space to film a lot of things.
Many times when you make a movie, it feels like your biggest mistake. But even if a film isn't a hit, you shouldn't view it as a mistake.
