And as a director, you make 1,000 decisions a day, mostly binary decisions: yes or no, this one or that one, the red one or the blue one, faster or slower. And it's the culmination of those decisions that define the tone of the film and whether or no...
Our touchstones of slavery are 'Song of the South,' 'Gone With the Wind' and 'The Birth of a Nation.' It's hard to separate the cinematic quality from the underlying themes. I appreciate the films, but the message was repugnant.
A film writer is very much like a party girl. While you're good-looking and still unlined, the possibilities seem endless. But your appeal doesn't last long and you're quickly discarded.
I've had a lazy career. Sometimes one film a year, sometimes none. I'm walking around in the street and doing this other thing, living, that I'm much more interested in. I just do some acting on the side.
I know, a lot of the films I've done, it's obvious I'm going to beat up six guys and just walk out the door. There's not a lot of motivating factors - it's just action for the sake of action.
People recognize me on the street for all kinds of different things that I've done. 'That Thing You Do' remains to be my favorite film in which I played my favorite character. That role is the one that I'm most recognized for.
I thought his performance was absolutely wonderful and had said so, but he seemed, as actors quite often are when they first see something, to be disappointed. I think he expected more from the film and himself.
'Baby Boy' is one of my favourite films, and Tyrese keeps telling everybody we're going to make a sequel. I mean, we have a story right now but we don't know where we're going to take it.
I'm working on a few different films and I'm just searching for the right new story to tell. As a director, you just have to kind of like just get through the first project before starting on the next one.
I think there is an immense charm and humanity about the Bollywood structure, probably in the way there was about Hollywood film in the '30s and '40s. Somehow they were less distracted about hardware, and more about production values and people, you ...
I'm not going to spend two years on a film or four years on an opera if I don't feel like I can put my own self into it. That doesn't mean it has to be about myself.
Not many people realize this, but I'm a really squeamish guy. When I watch other horror films that are really over-the-top with their blood and guts, I cannot watch it.
I think the camera was always my obsession, the camera movements. Because for me it's the most important thing in the move, the camera, because without the camera, film is just a stage or television - nothing.
Well, I've been in several films including documentaries, but the big blockbuster, I was hired as advisor to the actors, I was trying to make Jesuits out of them.
To be a film-maker, you have to lead. You have to be psychotic in your desire to do something. People always like the easy route. You have to push very hard to get something unusual, something different.
I've never done a film before where every single person in the audience knows the ending. I mean suspense, twists are almost impossible these days. People are blogging your endings from their cinema seats.
You can get any film now basically for free, and that's where I think the model we're talking about is - if you give people what they want, how they want it and when they want it, they're more likely to pay for it.
I'm a single father, I don't like to be away from my son. So I'll go out, make a film and come back. Repeat. And it's worked out very well for the last 11 years.
Personally, I consider 'Titanic' the most brilliant example of successful counterprogramming; the film actually countered itself by embedding an epic chick flick within a classic disaster movie.
I was going to go make a film in Greece. if they caught you with this much marijuana, they threw you in jail, no questions asked, and I was trying to stuff it in my deodorant bottles. I thought, what I am doing?
Unfortunately, I ended up kind of getting sadly duped, in a way. I haven't had an agent in 10 years, and now I'm doing some of the most interesting films I've ever had an opportunity to play in.
