[first lines] Man 1: [voiceover] Quiet on the set. Woman: [voiceover] OK, everybody, quiet on the set. Man 2: [voiceover] Scene 1, take 10. Marker. Man 1: [voiceover] And - action!
I always get everyone prepared so there aren't so many arguments on set. I have a policy that the first thing I do in the morning is go over to the trailers and discuss exactly what we're shooting that day. It's time-consuming, but it reduces the cha...
Like, on the 'Parks And Rec' set, I still feel like I'm a guest star. Being a fan of the show, it's really surreal to be on the set and see that it's not real, and getting to know the actors and they're not their characters.
Never quit. It is the easiest cop-out in the world. Set a goal and don't quit until you attain it. When you do attain it, set another goal, and don't quit until you reach it. Never quit.
I have five television sets. (I like to think of them as a set of five televisions.) I have two DVR boxes, three DVD players, two VHS machines and four stereos. I have nineteen remote controls, mostly in one drawer.
Auditioning and actually acting on a set are two different things. When you audition, you're in a room and you don't have anything to play with and you don't have anything physically in the room. Whereas on set, you have direction, you have costumes,...
Ronnie: Do you ever change your clothes? Seth Brundle: What? Seth Brundle: Your clothes. You're always wearing the same clothes. Seth Brundle: No, these are clean. I change my clothes every day. Ronnie: [Veronica looks into his closet and finds five ...
God knows what will happen to women who drink wine, girls that speak old languages, and suns that set too early.
Set out wisely at first; custom will make every virtue more easy and pleasant to you than any vice can be.
...each reader creates his own film inside his head, gives faces to the characters, constructs every scene, hears the voices, smells the smells. ...whenever a reader goes to see a film based on a novel that he likes, he leaves a feeling disappointed,...
I don't put any pressure on myself in terms of what people or fans do or don't want. It really just doesn't occur to me. I honestly just want to make the films I want to see as a fan. The film will survive or fail in my mind by how much I like it. Ha...
I have two different categories of favorite films. One is the emotional favorites, which means these are generally films that I saw when I was a kid; anything you see in your formative years is more powerful, because it really stays with you forever....
What I've been doing with my misfit, so-called acting career in film from day one on my first film, 'Spanking The Monkey', is, I've kind of made a concerted effort to hijack my acting career to turn it into film school, because I've always had the bl...
Ray: What are they doing over there? They're filming something. They're filming midgets! Ken: Ray... [Ray runs off and watches Jimmy being instructed by the director, who Jimmy flicks off as soon as he leaves] Ken: Ray, come on. Let's go. Ray: My ars...
One of the reasons I did 'Louie Bluie' and 'Crumb' with Criterion was because I like a lot of their older French films. That's the only reason. I watch these films by Jacques Becker and Jean-Pierre Melville. 'Touchez Pas Au Grisbi,' stuff like that. ...
Fear is a problem with film music and films; people want to be conventional, and there's more commercialism today. If you are not daring in your art, you're bankrupt.
The demarcation between an art house film and an entertainer has blurred, only because a larger section of the audience has accepted such realistic films.
When art in general, and film in particular, succeeds is when it pulls you away onto a voyage. Then it's a good film.
I did a short film called 'Disco' and won an award for Best Supporting Actor at an indie film festival, and that was nice. Hopefully there's lots more to come.
No critic writing about a film could say more than the film itself, although they do their best to make us think the oppposite.
The best time to release a film is on a festive date like Divali or Eid, or at a time when there are no big films three to four weeks before or after.
