Simultaneous recording with superimposed ionization chambers and Wilson chambers, ionization chambers and sets of counting tubes, has not yet been carried out.
Color is the keyboard, the eyes are the hammers, the soul is the piano with its many chords. The artist is the hand that, by touching this or that key, sets the soul vibrating automatically.
I can't imagine writing a book without some strong female characters, unless that was a demand of the setting.
Prison has a universal fascination. It's a real-life horror story because, given the right set of circumstances, anyone could find themselves behind bars.
Poets yearn, of course, to be published, read, and understood, but they do little, if anything, to set themselves above the common herd and the daily grind.
The cost to reconnect animals to live in natural settings without human support is a debt that many animals in transition must honor with their lives.
I'm never interested in writing a kind of neutral, universal novel that could be set anywhere. To me, the novel is a local thing.
We're crafting versions of our TotalGuide Solution to work on both legacy devices as well as new and advanced boxes with varying levels of services based on the capabilities of the set-top box and network.
What is a struggle is that acting isn't a place where you go to work and you do that thing. There aren't set boundaries, like an office, where you go and work. For me, the work is always on my mind.
The more commercial work that is happening, the more people are operating cameras and are setting up studio lights, the greater the opportunity for drama production to happen.
Conservative policies have on the whole worked - insofar as any set of policies can be said to 'work' in the real world. Conservatives of the Reagan-Bush-Gingrich-Bush years have a fair amount to be proud of.
I believe the director is the one that sets the mood and if you have this hysterical director it's a domino effect. I would work for him forever, for nothing. Don't tell my agent that.
Every man should have laws of his own, I should think; commandments of his own, for every man has a different set of circumstances wherein to work - or worry.
When you have to work with and exist amongst cynical, burned-out personnel on a set, it doesn't matter what you're shooting or how much you're being paid - it's not worth it.
There's a statistical theory that if you gave a million monkeys typewriters and set them to work, they'd eventually come up with the complete works of Shakespeare. Thanks to the Internet, we now know this isn't true.
As independent filmmakers, we are actually deeply dependent on each other. The Spirit Awards are a public expression of those bonds, the intricate set of relationships and histories that we filmmakers depend on to make our most personal work.
As an actor on sets, I've always clocked how hard the crew works, how much longer their days are, how much lesser their glory is - and the fact that their commitment to the work and project is unwavering, no matter the budget.
Now I've gotten to know more about the industry. And now that I'm over 18, I can work without my parents on set. That was nice and helped me get comfortable.
We choose our sex, our color, our country, and then we look around for the particular set of parents who will mirror the pattern we are bringing in to work on in this lifetime.
I never had a role that I set out for. I always wanted to have a body of work that I'm proud of. Save for two projects, which will never pass my lips, I'm happy with what I've done.
If a novelist has created vivid characters, interesting relationships, settings the reader can easily imagine, and intriguing stories, a screenwriter has loads to work with. The challenge comes with deciding what to cut and what to keep.
