My experience of children on a film set, especially on a big film set like the 'Potter' one, is not wholly positive.
A day on a film set is maddening.
There can be a lot of waiting around on any film set.
On a film set everyone is very cool. Well, blase really.
I don't feel that fear is a good incentive on a film set.
It's amazing how much you can absorb on a film set.
I could be equally happy on a film set or in the middle of a field.
If I die on a film set when I'm 80, I'll be happy with that.
I've been working since I was 9, and I've never known a life without a film set.
I'd be happy doing anything on a film set.
I always try and learn as much as I can from different departments on a film set.
It's very tempting to over-eat all the bad things when you're on a film set.
When I'm making a film, I don't want my producer to be on the sets. So when I'm producing a film, I don't want to be on the sets!
Sometimes I work on film sets. I've done this for 40 years. I always wanted to photograph on the set of an Ingmar Bergman film. Unfortunately, I never had the opportunity.
I didn't go to film school. I got my education on the set as a niche publicist in the film industry.
Some people manage to make that transition from child actor to adult actor seamlessly. But I felt that if I spent my whole life on a film set without taking a few years to do something else, all I would ever know about was film sets.
Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe.
You set the tone on the set that you want to see in the film.
The film 'Black Orpheus' is one of my favorite films of all time, which is set in Carnival in Brazil.
Shooting against greenscreen... my choice of filming is, like, I'd rather shoot on location than shoot on a set, and I'd rather shoot on a set than shoot against greenscreen. You start stripping away the layers of reality, and it becomes a lot less f...
I think the British industry is set up to support British film, if we make films that enable them to support it. If you don't make a commercial film, distributors can't get behind it. If they don't get behind it, the film doesn't do well.
