These films however, have ambiguity built into them, because it's too easy in film to make a strident work of propaganda or advertising, which are really the same thing anyway, meaning the message is unmistakable.
I avoided nudity unless a film couldn't be told without those scenes. If you look at my films, few of them have that element, yet nudity and male fantasies have become emblematic of my work.
It used to be that if you were on a sitcom you couldn't get work in film because it was so different. Now it's almost like you have to be on TV to do other film work.
Sometimes I work on film sets. I've done this for 40 years. I always wanted to photograph on the set of an Ingmar Bergman film. Unfortunately, I never had the opportunity.
I don't think the idea of working in Hollywood really exists anymore. I think you work in films, and where the film is shot is where it's shot. The studio system doesn't really exist.
Remember that film 'Sliding Doors,' when John Hannah woos Gwyneth Paltrow by reciting Monty Python sketches? I can tell you now that doesn't work, so that film's wrong.
There are certain filmmakers I'd like to work with that I don't think would take a risk with me, because I could be distracting in their film. It'll take a couple films to prove to them that it's worth the risk.
But in high school the business of irrevocable choices began. Doors slipped shut with a faint locking click that was only heared clearly in the dreams of later years.
The percentage of couples who stay together after high school is, like, less than five percent, you guys.
YOU YOU YOU your eyes, thick as a high school scrapbook crackling and yellow, curling at the edges a book of myths in which i do not appear.
Friendship (as the ancients saw) can be a school of virtue; but also (as they did not see) a school of vice. It is ambivalent. It makes good men better and bad men worse.
High school sucked. It was a universal truth, and whoever said these were supposed to be the best years of your life was probably drunk or delusional.
Could be an amazing product, sell like condoms at a high school prom, donuts at a police convention, sunscreen on a Caribbean crush ship.
I studied with a blind teacher from about 5 until I was 16, at two different schools. From the age of 12 until 16, I was in a boarding school-which, I believe, at that time was compulsory for blind children.
I surfed competitively from age 13 to 18. Every day, before and after school. I wanted to surf for the rest of my life. It's what all my friends did - I even had it as a subject in school for a number of years.
In this knowledge-worker age, it's now increasingly tied to doing well in school so you can get into better grad schools so you can get better jobs - so the pressure to do well is really high.
There are no college courses to build up self-esteem or high school or elementary school. If you don't get those values at a early age, nurtured in your home, you don't get them.
I would leave school every day and walk to my grandparents' house under the El because everyone worked. I was 6 and walking home alone from school. It was a different city and a different time.
When I walked to school in the mornings I would start out alone but would pick up four other boys along the way. We would set out together after school across the village green.
I went to art school in Chicago for a year at Columbia College. I had this whole master plan of getting into sustainable development and green architecture and construction, so I wanted to go to business school and then get my masters in construction...
Anyone having to do with medicine will have looked at Frank Netter's art work... I decided I would make him my model... getting my degree in medical illustration and then going on to medical school.
