Congress should make it so that all sex scenes in all films should be provided with a screaming baby sound track. That should help take away all the fun and may show a major decrease in unwanted pregnancies without having to provide birth control to ...
My feeling is, when you are writing an essay, you don't make anything up. This may be a very Protestant notion, and I'm aware of the fact that memory is fallible, that if I had access to films or some absolute documentary evidence of what happened, i...
The set of '12 Years a Slave' was an extremely joyous one! We all recognized that we were making a powerful, necessary and beautiful film, and we weren't about doing it without that sense of responsibility, and we recognized that we needed each other...
If you're going to make a lot of films about a particular group of animals, you might as well pick one that's fairly common. And octopus are: they live in all the oceans. They also live deep. And I can't say octopus are responsible for my really stro...
Since I've worked in film and television for so long, I've acquired the ability to let the version of the characters that lives in my mind make way for the living, breathing humans who are going to play them on screen. If you cast it right - and cast...
The first film that I can remember seeing where, like, I just couldn't stop watching it - and it didn't necessarily make me want to be a director because I was so young, but it made me know that that's what I wanted to be doing - was 'Alien.' And I s...
I had the experience last year of directing my first feature while I had a 1-year-old son and while I was also pregnant, so I am now well aware of the difficulties women who are rearing children face when they're also trying to make headway in mainst...
I really have created a family. I work with the people I love, I travel with them, I make films with them, and I'm in an office with them. So in a weird way - I know I haven't birthed a child - I feel that I'm a part of creating a family. It's a trib...
I would love to make a Brazilian film, but it would have to be something very close to my heart. It's such a personal thing, so I'd want to do my family proud. I'd want to do justice to Brazilian cinema. I think Brazilian cinema is brilliant. I would...
When you act in a film, you're inevitably surrounded by people you didn't choose, right down to the set painter. I like being able to pick the family I'm waking up to in the morning that's going to make this group effort to tell a story that applies ...
Move to Italy. I mean it: they know about living in debt; they don't care. I stayed out there for five months while I was making a film called 'Order Of Death,' and they've really got it sussed. Nice cars. Sharp suits. Great food. Stroll into work at...
A producer's job is finance control. I can't handle money. I have devised a system, where I come with my own team and we make a film for the producer. We do a lot of production, too, but I don't keep accounts. Now I keep a share in the profits - if t...
Growing up, my sisters and I would always talk stories. One of my frustrations was I didn't know anything about cameras. I didn't know how to make a film and I obviously didn't have a special effects budget. I was a kid. So I was learning to draw to ...
It is tricky because I do wear a lot of vintage on the red carpet, and usually when I'm getting ready, I'll say, 'We need to make sure that I don't look like I'm in a Scorsese film today.' Sometimes I do something a little bit more modern with my hai...
I once met a man who was a billionaire, and I said to him: 'Are you a self-made man?' - and he turned around and said: 'No man is self-made;' and certainly, if you want to make films or get into television or even theatre, the amount of help that you...
I wanted 'Southland' to feel immediate, like a ride-along, and to make it the closest thing possible to a cop reality show. We've got real cops out there every day. A lot of times we'll say, 'You guys just do what you normally do and we'll film it.'
Back when you were doing plays like 'The Miracle Worker,' you had 20, 25 people in the cast. When you go to make the film, that's not such a stretch. But when you're doing plays like 'Proof,' it's just five people or something in the thing, and it ge...
The whole idea with acting is that you take some risks. And if you take some risks, you're really going to mess up sometimes. But it's not OK to mess up a movie; it's not OK to do that just so you can improve as an actor. But film-making takes a litt...
I was going to become a youth worker because I do voluntary work with the kids in the little village where I live. I make little films with them and stuff when I'm not working. I thought, I'll pack it in then, and go and do something I love doing, an...
Floyd Gondolli: This here's the future. Videotape tells the truth. Jack Horner: Wait a minute. You come into my house, my party, to tell me about the future? That the future is tape, videotape, and not film? That it's amateurs and not professionals? ...
I am constantly swimming on the margin, neither 100% American, French, nor Lebanese. I am none of those. I am the result of those three. Sometimes it's an asset: no one can put you in a category. That I do not make typical Lebanese, European or Ameri...
