Film buffs who don't live in Hollywood have a fantasy about what it's like to be a director. Movies and the people who make movies have such glamour associated with them. But the truth is, it's not like that. It's very different. It's hard work.
When we shoot 24, there are so many things I have to worry about, from the script to technical things to my performance, that I don't have a second to be bored or take anything for granted. We produce 24 hours of film a season, which is like making 1...
I worked with some directors, and it was really collaborative, and I was sort of writing with them. I was giving so many pieces of myself to their movies, I thought, 'It's about time I use my own voice for me, and establish my own voice.' So I knew I...
I didn't really know how to make a film when I made 'Control'. I had to create my own language, just as I did when I started taking photographs. I never studied either one.
We don't perceive a contradiction between writing books, making films or producing a television program. These days you can't choose how you want to express yourself anymore.
It was actually Peter's idea that I should make the film. He called me in the very beginning, and I hadn't even read the book. So I read it and I liked it very much and I knew I'd certainly like to do it.
Encouraging people to believe in it was the most important thing of all. It's one of the reasons I was always uncomfortable whenever film crews came on the set to shoot things. I didn't want our make-believe to be exposed.
Your internal dialogue has got to be different from what you say. And, you know, in film, hopefully that registers and speaks volumes. It's always the unspoken word and what's happening behind someone's eyes that makes it so rich.
Voice acting is very interesting, I've done several animated projects, and you have to make the voice reflect the character and try and do as much with a word as you can with a look in a live-action film.
I don't know why my lines that were cut from the film didn't make it onto the DVD. I have offered to go into the editing room with Christopher and work shoulder to shoulder with him to fit all my lines in. I think he thinks I'm kidding. I'm only tryi...
As a black actress you've got to work doubly hard. But it doesn't ever get me to the point where I give up on myself. It just motivates me to be more prepared, focus and disciplined. That's why I care so much about doing black films and making sure t...
The future of American film lies on television.
Sometimes a time dictates what a film will be. Sometimes a film dictates what the time will be.
I'm pretty proud of my film music in general.
I'm a believer in film school.
I personally like to do independent films.
I'd like to do an independent film.
It's sad when you say a $30 million film is an inexpensive film, but it is.
I would love to try action films.
Music is the subliminal connecting adhesive in film, or at least in narrative feature films.
[the Middle Of The Film] Lady Presenter: Hello, and welcome to 'The Middle of the Film', the moment where we take a break to invite you, the audience, to join us, the film-makers, in 'Find the Fish'. We're going to show you a scene from another film ...