I pretty much believe that a film is a film and when an audience watches a film, they finish it.
In an action film you act in the action. If it's a dramatic film you act in the drama.
I love doing comedy, and that's the thing I will always go back to, really, but I'd love to have the freedom to do sort of 'meaty' roles but also have the freedom to do the sort of films I want to make, like what Woody Allen does. You forget he's fun...
I've realized that what you think of when you make a 'big movie,' if it's actually a green screen movie, it's like doing independent New York theater because you don't have any backgrounds or props. So it's kind of like making the lowest budgeted fil...
I was called in from the producer, who was a guy who lived in Texas and an outsider in the film industry, and he said, 'I want to make a movie and I want to make it about this guy; will you join me?' And I said yes, and I was intrigued by this story ...
Writer: You see, what stands out at a first reading is the lack of a central issue or a philosophical stance. That makes the film a chain of gratuitous episodes which may even be amusing in their ambivalent realism. You wonder, what is the director r...
There certainly is no secret in that there are plenty of people who don't like plenty of my movies. Each one of my films is personal; each one of my films is emotionally autobiographical. And I like directors who do that. With each one of my films, I...
If African film makers had one-tenth the amount commanded by film makers the world over - even the amount used by so-called shoestring film makers - I think we would see quite an explosion of African films on the world scene.
I don't care about Hollywood films. I'm not against Hollywood films, you know? Hollywood films were very good before, in the 1950s.
When I was in film school, it was said that all good films were characterised by some form of humour.
There are some films that really break the mold, and some films that don't. I've been looking for films that break the mold a bit.
I like the Edinburgh Film Festival, and I've liked what I've experienced of Glasgow's Film Festival too.
I like voice-over in films, and most of my films have been voice-over films.
With portable cameras and affordable data and non-linear digital editing, I think this is a golden age of documentary filmmaking. These new technologies mean we can make complicated, beautifully crafted and cinematic films about real-life stories.
United Artists wanted to do records with me. I had no idea, what a rare thing that was... to make an album. And they put a guy with me working on songs, and I got busy with films. I just kind of let it slide. Isn't that amazing?
I always think of my films within the context of where aesthetics meet economics. That's the nature of making art - not being naive about what is possible and getting what you need to tell the story you want to tell.
In LA I was watching At the Movies with Ebert and Roper, it was, nice to see them differentiate between the subject matter and the art form of making the film, and they both gave it thumbs up, and I was kind of pleased at their honesty as far as revi...
It is gorgeously shot, and Andrew believes that the old school way of making films in the best way. Meaning: you have a story, and you stick to the story. You don't change and alter the story because of people who've invested in it and what to put pr...
When I was doing 'Ordinary People' and 'Taps,' I never wondered if it would have a lasting impression. I was just wanting to make the best film we could and do my part in that and be true to what my responsibilities were.
The only way to ensure a film is going to sell is put Will Smith in it and you open it in 3,000 theaters and make sure we have all the top promotional spots in each venue.
I don't miss scenes at all the way that I used to miss them when I was younger making a film. It's actually quite fun to get rid of them now.
