Americans are very enthusiastic. We have a new generation of moviegoers who love great horror films. I am a very imaginative man, and for me, it's easy to speak with my dark side. I have very beautiful, interesting nightmares.
Getting to do what I think was my fifth BBC drama with Nikki Amuka-Bird - we've done 'Shoot The Messenger,' 'Five Days,' 'The No. 1 Ladies' Detective Agency,' 'Born Equal' and now 'Small Island' - was another highlight for me. And filming in Jamaica ...
I took an acting class with Louise Lasser, Woody Allen's first wife and co-star in many movies. I've done some other indie films, if you look on the YouTube. I love acting - it's great.
I had seen the films out of World War II, the great 82nd Airborne, the 101st, and all of those of you in the greatest generation and the service that you had provided.
I'm kind of shocked that it's taken Hollywood so long to realize that so many great movie talents can come out of television. One of the reasons they do is that on TV you don't have the luxury of a film's big budget, and people have to compensate wit...
For a film to be viable, it has to survive this process of scrutiny. I think most filmmakers have obsessive-compulsive tendencies and would be completely unemployable in any other job - so it's great to be able to channel your psychological anomalies...
We shot 'CBGB' in Savannah, and then I took another project there afterwards called 'Killing Winston Jones.' It's a dark comedy with Richard Dreyfuss, Danny Glover, Jon Heder, Danny Masterson and Aly Michalka. It's a great cast and a beautiful film.
I'm an enormous admirer of Christopher Lee. He's somebody, along with Vincent Price, who I celebrate, and I wanted my movies to show that celebration and that honoring of these great film stars that were unafraid to go into horror and Grand Guignol a...
Well, the studios don't really want to take those risks right off the bat. They'll take the risk after they've seen the finished product and say oh yeah we want that. This is a great film but they are hesitant to take the risk when you just see it on...
They were just kind of simultaneous - the film ending and the sets being destroyed. I was struck the first time I saw the Great Hall become a big pile of burning rubble and getting scattered around. It's really quite shocking for the fans.
The very first film I ever saw was a pirate movie called 'The Black Swan' with Tyrone Power. And I thought that was great stuff. Of course, in those days, Technicolor was really Technicolor; there was no such thing as desaturation. Everybody looked s...
I was concerned about that, because I've always been so specific about doing independent films, but I've never done anything that's so genuinely and ridiculously fun. And that's a great thing, for me to discover that that's possible.
The great thing about a sitcom is that you're in front of a live audience, so you really get in touch with what audience reaction is, but also there are lots of elements of film that you're dealing with, and there's kind of a great boot camp or gradu...
On the first movie we got good reviews, but we were still dealing with genre stuff. It's going away. Judge the movie - is it a good one or a bad one? We know we made a great movie and it's being judged for just being a good film.
The novel succeeds on terms exclusive to literature. A good film succeeds on terms exclusive to the cinema. That's why so many bad novels can become good movies, like 'Jaws' or 'The Godfather.'
I'm what you call a good, old-fashioned working actor who has had delusions of grandeur for my entire career and has known what I want to do, but there's a lot going on out there. There are a lot fewer films being made, and there's a lot of competiti...
In Wales it's brilliant. I go to the pub and see everybody who I went to school with. And everybody goes 'So what you doing now?' And I go, 'Oh, I'm doing a film with Antonio Banderas and Anthony Hopkins.' And they go, 'Ooh, good.' And that's it.
With horror movies, a bigger budget is actually your enemy. You want to feel the rough edges, the handmade quality to good horror films. It's a genre that benefits from not having everything at your disposal.
When I choose projects, I don't stipulate between film or theatre or television. I receive scripts and I read scripts - and when I read a script that's good, I then get married to it and talk to my agent about what happens next.
I was trained classically, and that's something that I want to do, but I do want to say that right now it's a good market for female comedians, and I want to explore that right now. I really do want to do dramas and meatier roles, especially film.
In film, you're so much in the hands and at the mercy of the editor, so sometimes it's good to watch it just to see how it turns out - it can be so different than how you imagined it. But sometimes it's better to just let it go for your own sense of ...
