Do you know how many ways love can hit you? So it makes you happy, or miserable? It makes you sick in the belly or hurt in the heart. It makes everything brighter and sharper, or it blurs all the edges. It makes you feel like a king or a fool. Every ...
Hope like that, as I thought before, doesn’t make you a weak person. It’s hopelessness that makes you weak. Hope makes you stronger, because it brings with it a sense of reason. Not a reason for how or why they were taken from you, but a reason f...
Moms are the ones Who make sure of a lot of things Like that their kids Wear nice clothes, Comb their hair, Brush their teeth. And moms teach their kids How to fold laundry So their cloths aren't wrinkled, How to make scrambled eggs Without turning t...
I come across too much material on "how to make a man want you", "how to make a man commit", "how to make a man finally pop the question", "how to make a man take you seriously", "how to get into a man's emotions." And I laugh. My dear fellow women, ...
Tequila: What's with all these paper cranes? You bored? Maybe you feel lonely here? Alan: You know, I've always hated making cranes. I make one each time I kill somebody. How about it, shall I make you one? Tequila: No thanks. And if you'll get kille...
Goodwill makes the road shorter.
Love makes labor light.
Time and place make the thief.
The cassock does not make the monk.
One coward makes ten.
What grows makes no noise.
It is love that makes the impossible possible.
The second word makes the fray.
The tree makes shafts for axes.
Stubborn men make lawyers.
I have a real taste for doing action roles. I starred in a movie called 'Blast,' which was my first action film, and I loved the fighting - I think I've got the build, the attitude and the look for it.
I film quite a bit of footage, then edit. Changes before your eyes, things you can do and things you can't. My attitude is always 'let it keep rolling.'
The evolution of Parkour sort of happens with time and age as you change, and the body has a certain memory of Parkour. There is a sort of thing that remains intrinsic, but then the choreography will adapt to whatever the necessity of each particular...
In 1969, at the age of 19, I was lucky enough to work with George C. Scott in the definitive portrayal of his career over a period of many months and several countries on the definitive film version of Patton's WWII career.
I lost touch with my son in terms of advice early on. Maybe it had to do with being gone so much, doing location films when he was at an age where he needed support and guidance.
You have to think about what you want to do. There is nothing to say that you should study from the age of 20 to 23. I learnt more on a film set at 17 than in the classroom.
