Sometimes I have a great day of filming and sometimes the theater strikes me better. It just depends.
It's great to sit and talk about the films and the people I work with, rather than where I buy my socks or whatever.
Sometimes it's great, sometimes it's bad. I think the film could have been a lot better.
You can have a bunch of great actors in a film, but if you don't have anyone telling a great story, it's a moot point.
I have memories of films that nobody ever saw, that I was very proud of, and those are still great memories.
I am a great movie buff, and I devour films regularly.
I'm not afraid of being thought of as someone who is associated with film music. Why not? If it's a good song, what does it matter?
I mean, it was a mummy movie. It was a good film independent of its source. It that looks like Lawrence of Arabia on steroids in a lot of ways.
Deeper fulfilment is rather different from the happiness of seeing a good film or watching your team win at football, and it doesn't come at the push of a button.
Jennifer Aniston and I have always just really gotten along well... I was just fortunate to be a good fit for parts in her films.
Lynch is not as strange as his films. He's a complex guy with a very interesting view of the world. But he's very accessible, with a good heart.
I'm just attracted to good material and great characters and that can come in any form, whether it's television or film or a theatre piece.
I think Michael Caine is a perfectly good actor but it's obvious he's not going to be in one of my films.
I acted in a couple friends's short films and thought I was gonna be really good and mysterious and sexy. And I was just terrible and self-aware.
Film is such a very good tool for communicating emotions, and all designers and creative people look to inspire an emotional response.
A film is never really good unless the camera is an eye in the head of a poet.
Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story.
I want to do some bigger films, so long as there's some sort of exciting creative element or a good filmmaker behind them.
I'd love to do another film version of 'Romeo & Juliet.' I'm not too picky as long as it's a good story.
Sword fighting in film is not about how good the fighter is, but how good the actor receiving the blows is.
I would like to explore comedy, I want to do more theatre, and I definitely want a future in film.
