We live in a youth-obsessed, aesthetically obsessed culture. That is no more evident than in the film industry.
On Saturday afternoons, there was a film, of course, and then we did about four shows between the films. And I would do a tap dance, a little military tap.
'Things To Do In Denver When You're Dead' is one of the most underrated films. There were even different cuts of it. A wonderful film.
The Australian film industry is a small industry, so you have to really be flexible within working in different mediums. A lot of actors work in theater, film, and television, because there's not much opportunity in terms of employment there.
I avoided nudity unless a film couldn't be told without those scenes. If you look at my films, few of them have that element, yet nudity and male fantasies have become emblematic of my work.
It used to be that if you were on a sitcom you couldn't get work in film because it was so different. Now it's almost like you have to be on TV to do other film work.
Sometimes I work on film sets. I've done this for 40 years. I always wanted to photograph on the set of an Ingmar Bergman film. Unfortunately, I never had the opportunity.
I don't think the idea of working in Hollywood really exists anymore. I think you work in films, and where the film is shot is where it's shot. The studio system doesn't really exist.
Remember that film 'Sliding Doors,' when John Hannah woos Gwyneth Paltrow by reciting Monty Python sketches? I can tell you now that doesn't work, so that film's wrong.
There are certain filmmakers I'd like to work with that I don't think would take a risk with me, because I could be distracting in their film. It'll take a couple films to prove to them that it's worth the risk.
I may not be the number one movie star, or my films might not be doing too good. I am grateful for what life has offered me. I have got a great family, parents are together, have a great sister, I get to holiday. All these things make me grateful tow...
If you want to make films, you'll watch Kurosawa. If you want to play a violin, you listen to Seghetti. Same with somebody who has the ambition to play in the NBA. I watch a basketball game; I enjoy it. Somebody who really wants to learn to play is s...
Growing up, I didn't have television. My dad would make up stories and tell me stories, so my imagination ran wild. When I did see films, which was very few and far between, that was such an interesting medium that was so new to me. It wasn't somethi...
When I go back to theater, I feel good about myself. When I do films or TV, it's to make a little bread to pay my mortgage or whatever, and when I've made the money, I do theater again. And when I get a part I like, a part I can work on, that satisfi...
I won't call my work entertainment. It's exploring. It's asking questions of people, constantly. 'How much do you feel? How much do you know? Are you aware of this? Can you cope with this?' A good movie will ask you questions you don't already know t...
In our game, it's your vanity that keeps you in shape. I've got a little gym set up, and I ride a single-speed bike up the hills behind my house. Lately I've been kind of a slacker. Usually it's a film role that makes me start getting in shape. Betwe...
When you're making the film, you don't really think the audience; it's only when you start editing that you really start to became aware of your audience because you're thinking of how you communicate these ideas, and how lucid can you be, and yet st...
It's disingenuous to say that criticism doesn't get to you or you don't hear it or that you ignore it. When everybody says, 'That's crap. I hated that,' you hear it. But it's much, much worse when they're right: when you feel that it is an absolute p...
I don't know how I didn't kill any one of my sisters. For this one horror film we were making, I made my own harness for my sister. I wrapped her in all these ropes, but then also put a noose around her neck and hung her from a tree. Now I think, 'Wh...
Shosanna Dreyfus: [in French; subtitled] I am going to burn down the cinema on Nazi night. And if I'm going to burn down the cinema, which I am, we both know you're not going to let me do it by myself. Because you love me. And I love you. And you're ...
It's about the quality of the worry," I said. "I have happier worries now than I used to.
