My favorite part about working in theater is the rehearsal process. I absolutely love the rehearsal process. Working out the characters, figuring the character out, and the relationships between the different characters. I love all of that, which, un...
The process of doing films is not my favorite, but I love television. Television is a quicker turnaround. You shoot more during the day, which makes me feel more productive. It would be like, 'I did five scenes today and ten pages.' That's television...
Acting was something I always wanted to try. I just didn't know how, or I didn't know when the door was gonna be open for me to try it. But it finally opened up for me when I did 'Turn It Up', and ever since then I've been in love with doing films.
'Out of Africa,' Dinesen's second book, is a love story, though not the one portrayed by Streep and Redford in the film. The memoir is about Dinesen's love of East Africa - the cultures, the landscapes, the animals. The feeling that saturates the boo...
I loved working on 'Happy Gilmore' because I love to travel to new places and we got to go to British Columbia. Any Adam Sandler film is fun to work on because it is a reunion of the boys club of guys that have worked together in the past.
I think a lot of films do themselves a disfavor by putting in way too much information, and everyone knows what's gonna happen next, and no one can actually discover things as they go.
If I do a film and have to get naked, that tends to dictate how often I go to the gym. Acting in 'Richard II' on stage was a huge physical workout, so I ended up more toned than I normally am.
As a runner on a film, you are the lowest of the low, and yet you have incredible access to everyone. I can totally imagine that for actors in the middle of a Hollywood bubble, all they really want is a sense of normality, and that gopher can be a ta...
Just trying to get a film made which is always difficult no matter what kind of a budget you have. Not having a budget makes it even more difficult. Having nineteen days and no budget makes it extremely difficult.
I have been portrayed by actors in three television documentaries, two plays, one musical and a film. It's no fun watching yourself being traduced and imitated by an actor.
I'm drawn more to quality, and so if the quality is in television, I go in that direction. If it's in film, I go in that direction. But I don't limit myself or discriminate against any of the mediums.
Films, fiction, can encompass a whole global vision on a particular subject with any story, whatever it is. You can play the story in whatever country with whatever language in whatever style you want to tell the story in.
I started singing for The Phantom in January, and we started filming in October and I sang all the way through to the next June. In fact, I was singing for about two months before I even knew I had the role.
I didn't really watch action films growing up! I grew up on stuff like 'Anne of Green Gables' - that was more when I was in elementary school. It was all I ever watched.
I knew the term Stepford Wife, and I knew what that meant. I never read the book, and I think before I started filming I watched the movie. I thought it was very dated.
Where past generations had film cameras, scrapbooks, notebooks, and that part of the brain which stores memories, we now have a smartphone app for every conceivable recording need.
Dividing everybody into genders and sexuality and races and religions, and I think it's important to have films out there, to have discussions out there which really try to get to grips with where that kind of thing can lead.
I started, obviously, doing theater, and I always thought that I would; in a way, I always thought that I'd be a theater actor. When I was starting out, I didn't really plan on making films, actually.
One of my problems with a lot of things I watch is that everybody's too pretty, and it takes me out of the film because I'm thinking that all these people look like I've seen them in a cafe in Los Angeles.
The big studio era is from the coming of sound until 1950, until I came in... I came in at a crux in film, which was the end of the studio era and the rise of filmmaking.
T.V. is the place to do the kind of films that were done in the 40s and 50s: the little guy against the system. There are so many opportunities in T.V. to do more character pieces. Everything is so hard-edged in features.
