Most of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.
I made some truly awful movies. 'Stop! Or My Mom Will Shoot' was the worst. If you ever want someone to confess to murder just make him or her sit through that film. They will confess to anything after 15 minutes.
I was studying to be an architect, I wasn't plotting to join the movies. Films were just another career option. I took acting up with the same schoolgirl enthusiasm I had for examinations. Acting is a job and I take it very seriously.
I filmed seven movies in 2011 and I think that was a mistake. I pushed myself too hard and I want to be able to come to work each day and give 100 percent. I guess I found out what my boundaries are.
I'm not saying it isn't frustrating that my films haven't gotten a bigger release, but I'm really happy with them and if you just keep cranking and eventually, if you have a certain sensibility, some of your movies will hit and some just won't.
They're pretty extreme, but I loved the two 'Human Centipede' films from Tom Six. Those movies are fun because they're well-made. They're crazy and psychotic and perverted and twisted, but they're really well-made.
I try to be eclectic in my choice of films. If I've done anything that's intentional in my career, it's to try to do as many different types of characters and as many different types of genres of movies that I can.
It's difficult to do a genre film well, and it doesn't matter if you're talking vampire movies or 'Dawn of the Dead' or 'The Thing' or 'Escape From New York.' Those kind of movies, they understand what the old-school B-movie is supposed to be, they g...
The most difficult part of making movies is to keep making them. Maybe, you could make the biggest hit in the world, but then the big problem is what to do next and how to maintain devoted to a certain instinct that I have about films.
I'm just happy to be a film where for once I don't have to worry about my hair, because my managers are always complaining about my hair looking depressing in my movies. Which is true. I mean, it's true.
My mother told me I was begging her to be an actor when I was four. My father and my grandfather saw at least one or two movies a week; they were film buffs, so I guess it just rubbed off on me.
I don't want to be a part of the demographics. I want to be an individual. I wear each of my films as a badge of pride. That's why I cherish all my bad reviews. If the critics start liking my movies, then I'm in deep trouble.
I've done all kinds of movies, but I wanna do some more independent films that are not your run-of-the-mill type movies like 'American Splendor', which I had a big part in, that are really trying to do something unique.
There have been 14 versions that I can find of Burke & Hare movies. They have all been horror films and all the movies have taken place in Victorian times, which doesn't make any sense.
Movies have these transcendent moments where everything is just right, from the dialogue to the music to the lighting to the narrative context; everything is just perfect, and something magical happens - the film breaks through the screen and does so...
The person that made me want to make movies, and the reason I do films, is Bruce Lee. He was an incredible actor, and he had a lot of charisma. Handsome, action, you know, everything was there. I loved Bruce Lee.
The movies that made me want to make movies were action movies, and thrillers, and Kurosawa films, you know, where you have an opportunity every day to shoot it in an unusual way. I was looking for something like that.
I started in theater; I did theater in New York for 14 years before I even thought about doing movies - I never thought about being in a film; it just never occurred to me.
Really interesting genre films, especially monster movies, evoke the fears of the times intentionally. Our starting point was 'Godzilla' - the original movie was released less than 10 years after Hiroshima, and it's a classic in Japan.
I think I've done pretty well. I've had about 46, or 47 nominations from my movies, and my films have won about 12 awards, so I don't have any complaints.
I always shoot my movies with score as certainly part of the dialogue. Music is dialogue. People don't think about it that way, but music is actually dialogue. And sometimes music is the final, finished, additional dialogue. Music can be one of the f...
