I'm a tomboy at the end of the day, so anything that causes me to have to run around, fight people, roll in the dirt, hop a fence - I'm all for it. So I really would love to do an action film.
In films people basically work for the camera, you know, and that's why actors can hate each other and not be speaking to each other and still look as if they're in love because really they're loving the camera loving them.
I've never cared for the idea of a career path, or where a film might 'take me.' My love is for acting not money, so I only take on roles that I find challenging, in stories I find interesting.
I'll say this, I'm no stranger to working with a foreign cast, foreign directors, that sort of thing. I love it, because I think that when you have people from different countries, it sort of brings everyone together, it's more of a worldly film.
I love magazines and film critics, so I eat it up. I'm not one of those people who says 'I never read anything.' I generally read all of it.
I do it because I love acting, I love working, and whether it's radio, television, films, theater, I don't care as long as I can get out there and do it.
I love these movies where it's just about the film. You don't have my face on the poster. It's all about the movie. I like that.
The idea of doing a children's film is different, but quite honestly I like doing anything - any genre. I've only made one Western, which was 'Three Amigos,' but I would love to make a serious Western. I'm just wide open.
I really enjoy the consolation when I'm having to cut loose stuff I love, of saying 'Well, at least it will make it onto DVD.' There's a couple of scenes which I liked very much, but couldn't fit them into the film that are on there.
After filming, I can't wait to shake off all that '50s primness. I'll go out to a gig and dance ridiculously. I love to lose myself in music. Just letting go - it's dead important.
I'd love to do films, but I'd feel bad in my gut if I did anything just for the money. I want to wait for something I'm really passionate about, even if I don't work for a year.
One of the reasons I love to jump back and forth between mediums is that film does allow me to be more literal. I can go to the real place. I can go to the Coliseum, and I don't have to fake it.
Acting was merely a pastime; I wanted to make films. But theatre, ah - now that was a labour of love. Can there be anything better than performing without retakes and cuts, in front of people you can see, hearing them breathe in the darkness of the h...
And so I love films that are kind of rural in atmosphere. And you know, it's just a nice place to be day after day. All be it, it can be hard, it can be hard work. You can get hot.
Regardless of what people ultimately think about Crazy As Hell, It's not the type of film that, ten minutes after seeing it, you're only focused on what you want to eat.
I wasn't one of those girls who always dreamed of being an actress. I went to a normal school and then these film auditioners turned up when I was nine. Then I just fell into this whirlwind.
I know that if a film is ready to emerge out of what I write, I'll be able to go off and make it without asking anyone's permission.
I did 'The Grey,' and it was very intense and emotional because we're in the wilderness, and it was always 30 degrees. You kind of lose your sense of reality in the fact that you're filming a movie.
I don't think you can ever completely transform yourself on film, but if you do your job well, you can make people believe that you're the character you're trying to be.
I went to Washington to ask for a little residual payment for the people who had written films in the early, early days, people who never got any residuals on tapes or anything at all.
In a lot of films, they're showing more complete, developed characters of diverse ethnic backgrounds. The larger concern is to be able to tastefully explore the stereotypes, and still move past them to see the core of people.
