When it comes to remaking my own films in the English language, I can only imagine that it is a very boring process, I wouldn't ever dream of it.
I don't think there is really a favorite, I'm very fond of film making as a whole and as a medium and of course, there are some that I've enjoyed making more than others but I've enjoyed making all of them.
Films can be entertaining without shying away from exploring something. They can be magical and have fantasy, but also can have enough reality that you can be really emotionally invested.
It's weird - on almost every film I've worked on, the first sequence we storyboard ends up being the first sequence that goes into animation, and ends up being almost shot-for-shot the same.
Each one of the films get built up and strengthened and reinforced, and we're not afraid to rip stuff out and redo it until we feel it's worthy of the 'Pixar' name.
The juggernaut that is steampunk, like Dr. Loveless's giant mechanical spider in the 1999 film version of 'The Wild, Wild West,' seems capable of crushing all naysayers.
I think of myself more as a filmmaker or as a film person than as strictly just a writer. I don't come out of playwriting or anything like that.
Film is an emotional medium; it's not a logical medium. It's not an intellectual medium, so every decision you make as a filmmaker and an actor has to be emotional in some way, even in the rejection of logic.
I just figure if you have a modicum of celebrity, you need to use it, and you need to use it for more things than just promoting yourself or your film or your image or your product.
I'm a filmmaker, and I was most influenced by Hitchcock's films. How he could plant such deep enriched characters and then make us care both about the antagonist and protagonist was masterful.
To get an Oscar would be an incredible moment in my career, there is no doubt about that. But the 'Lord of the Rings' films are not made for Oscars, they are made for the audience.
Before I started doing the film and when I found out I was going to be doing it, I just decided to pump up on the whole cardio stuff. Just in terms of stamina.
Our function as playwrights to some extent is to make audiences see with their ears, because films make us see with our eyes much better.
The bastard form of mass culture is humiliated repetition... always new books, new programs, new films, news items, but always the same meaning.
On 'Darjeeling,' I was on set every day and I acted as the second unit director and a producer on that film. I was there throughout the whole process. On 'Moonrise Kingdom,' I showed up for one day.
One difference between film noir and more straightforward crime pictures is that noir is more open to human flaws and likes to embed them in twisty plot lines.
Many thrillers follow such reliable formulas that you can look at what's happening and guess how much longer a film has to run.
Sometimes miraculous films come into being, made by people you've never heard of, starring unknown faces, blindsiding you with creative genius.
I never studied anything about film technique in school. Eventually, I realized that cinema and theater are not so different: from the gut to the heart to the head of a character is the same journey for both.
I can only go places because I know that I can go away from them, if that makes sense. I like the gypsy lifestyle that filming affords.
I was a huge movie watcher, but I really loved 'Kenan & Kel,' 'Rugrats,' 'Doug,' & 'Catdog.' I was also into drama films, though, and I really loved 'Poetic Justice' and 'Set it Off.'
