Because of how much movies cost, it's dangerous to be experimental on one film after the other. But we can experiment with television. We can do things that are fringe and bring ideas to the table that are offbeat and original.
It is not my job to compare my movies. I don't like to compare my films with other movies because I don't really have that perspective. It is an intellectual exercise, but it doesn't intuitively come to me.
George Valentin: [first lines, heard in one of his films] I won't talk! I won't say a word!
Jack Horner: You know this is the film I want them to remember me by.
I had pictured journalism as I'd seen it in the most ennobling films, where the reporter battles for the truth, propelled by conviction, and is triumphant. There are journalists who fit that ideal.
It's always challenging when you're shooting a film. Shooting things out of order and keeping continuity on all levels is always for me the most challenging thing.
I have to say I've been lucky in that way in that I've been able to go from different films and different genres with different challenges.
Independent films are where you really get to cut your teeth and have some fun and do the things that mainstream Hollywood doesn't want to do.
If people are looking forward to my films, then I am happy, and I must be doing something right.
The moment we cry in a film is not when things are sad but when they turn out to be more beautiful than we expected them to be.
You'll see Dame Judi Dench in a Bond film, in Shakespeare and then starring in her own sitcom. You never see that here with Meryl Streep.
I understand the bad rap that 3-D is getting because the conversions are crappy and because the films aren't designed for 3-D. It's a completely different medium.
I'm interested in new worlds, new universes, new challenges. I always said the only reason to make a film is not for the result but for what you learn for the next one.
I only make storyboards for action scenes. Once you make a storyboard, you don't film; it can be a stiff move.
I wanted to make a film as an artist, and it's going to have to find an audience, you know. I don't know how big the audience will be.
When you ask a bunch of people to see a film, and then invite them to comment on it and tell them it's a work-in-progress, they feel bound to offer an opinion.
Filmmakers need to realize that their job isn't done when they lock picture. We must see our films through.
I think for female filmmakers a big issue is making their second and third films.
When you make a film like this, you must have the highest expectations of your audience. Having worked in situations where we have the lowest expectations of our audience.
I haven't seen the film yet because I just got in from London. In the scenes where the two characters are bantering with each other, it is like bobbing at the net in tennis.
What's kind of wonderful about being the voice in an animated film is you're a small part of an enormous production. And in a way, you get to remain a little bit objective.
