The only time I ever spend alone is when I am working or when my husband is away filming. I put the kids to bed and have an hour and a half in the evening for myself.
I didn't need clothes. I was allowed the opportunity to act out moments you don't get the opportunity to experience in your own life, let alone as a character in a film. I didn't feel naked.
I think to be writer you have to enjoy being alone. I was a loner as a teenager and was always drawn to characters in books and films who were at the fringes.
I may be alone in this, but I do sense the power of film, in that movies have the ability to literally change people's minds. That's pretty powerful stuff when you consider that.
Even when I'm alone, my life revolves around film. I think that's why I live in New York, not L.A., where it's so concentrated.
One sign of a great actor is when he can be alone by himself on the screen, doing almost nothing, and producing one of a film's defining moments.
There's nothing like theater. It's really amazing. But it does take up all of your time. I would like to get into more film, just because I find it super fascinating.
'Skyline' is an alien invasion film that really takes an interesting look at the genre. The writers did an amazing job of creating a new take at how life from other planets come and plan to invade Earth.
I had very strong feelings, so the chance to make a film that deals in an imaginative way with stuff you care tremendously about is a real high. It's a really amazing thing to be able to do.
'Kit Kittredge' was an amazing experience because I got to go to Canada, and it was my first 'era' film, so I got to wear the 1930s clothes, the real vintage clothes.
If Martin Scorsese calls, I am available. And then there the ones, well, you can just run down the list - any of those Oscar-nominated films, they have amazing directors across the board.
I have realised how exciting and easy it is to be a time traveller by looking at paintings and films and architecture and playing music or listening to it. I don't think you necessarily have to live in the present all the time.
There's always the influence of music, film, art and the other things that drive me. I'm usually inspired by my environment and whatever is making me happy or mad.
I'm a contemporary artist and I show in art galleries and museums. I show a number of photographs and films, but I also make television programs, books and some appetizing, all with the same concept.
I always argued against the auteur theory; films are a collaborative art form. I've had some fantastically good people help me make the movies.
Undeniably the American art form, too. And yet more and more, we see films made that diminish the American experience and example. And sometimes trash it completely.
In our film profession you may have Gable's looks, Tracy's art, Marlene's legs or Liz's violet eyes, but they don't mean a thing without that swinging thing called courage.
Appropriation is the idea that ate the art world. Go to any Chelsea gallery or international biennial and you'll find it. It's there in paintings of photographs, photographs of advertising, sculpture with ready-made objects, videos using already-exis...
Filmmaking, like any other art, is a very profound means of human communication; beyond the professional pleasure of succeeding or the pain of failing, you do want your film to be seen, to communicate itself to other people.
Yeah, I can't separate the art from the music and the music from the art. I think that stems from going to school for film first, and kind of stumbling onto music as my career.
It's funny now how much we look at - whatever you want to call it: art, design, culture stuff, film - online, and how in the online world, you're instantly global.
